歌剧《卡门》中的斗牛士形象及其塑造

发布时间：2018-06-09 22:29

本文选题：歌剧 + 梅里美　；参考：《上海音乐学院》2006年硕士论文

【摘要】：本文是对西方歌剧宝库中上演率最高的《卡门》一剧的分析与研究。从梅里美的中篇小说到歌剧脚本在阿莱维、梅拉克两人笔下形成，是本文探讨的第一个重点。文中概述了小说产生的历史背景及经过、梅里美的风格特色及脚本对原作情节上、人物设置上的增删及发展等；其次为对出诸比才天才手笔的歌剧《卡门》音乐的分析，基本上按幕顺序论述并附重要的谱例；第三个重点是对剧中女主人公卡门及由脚本作者丰富、放大了的斗牛士埃斯卡米欧的人物性格分析，而把重点放在作者学习过的斗牛士形象的剖析、理解和塑造上；最后简要地阐述了歌剧场景与人物形象塑造的关系，前者对后者所可能产生的帮助，并对不同歌唱家所演绎的斗牛士形象作了比较和评价，提出了自己的看法。我深知我的分析、研究只是初步的，谨作为我的一份学习汇报吧!
[Abstract]:This paper is an analysis and study of Carmen, which has the highest performance rate in the treasure-house of western opera. From Merimee's novella to opera script is the first focus of this paper. This paper summarizes the historical background and process of the creation of the novel, the style and characteristics of Merimee, the addition, deletion and development of the original plot, the character setting, and so on, followed by the analysis of the music of the opera "Carmen", which is written by talent. The third point is to analyze the character of Carmen, the heroine, and the matador Eskamio, who is enriched and enlarged by the scriptwriter. The emphasis is on the analysis, understanding and shaping of the bullfighter image the author has studied. Finally, the relationship between the opera scene and the character creation is briefly expounded, and the former may help the latter. And the different singers interpreted the image of the bullfighter made a comparison and evaluation, put forward their own views. I know that my analysis, the study is only preliminary, I would like to report as a part of my study!
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616;J832

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