口语文化传播中之源流辨析例说——析【幺二三】证【打“溜子”】属“域乐”而非“族乐”

发布时间：2018-06-13 07:01

  本文选题：【打“溜子”】 + 【幺二三】　； 参考：《音乐创作》2011年04期

【摘要】：在多民族的小聚居、大杂居区域,其口语音乐文化呈原生的"族乐"与跨民族次生的"域乐",前者如原生的土家族吹管乐"咚咚亏",后者如湘鄂(西)黔渝(东)边的次生的[幺、二、三]。闻名遐迩的【打"溜子"】,属"域乐"【幺二三】所派生,并非原生的土家族的"族乐",是湘鄂(西)黔渝(东)边"域乐"的一支。
[Abstract]:In small, multiracial, mixed areas, Its oral music culture is original "national music" and cross-national secondary "domain music", the former is like the original Tujia wind music "thumping loss", the latter is like the second generation [1, 2, 3] on the edge of Hunan, Hubei (west), Guizhou and Chongqing (east). The famous "playing" is derived from "domain music" [123] and is not a native Tujia "ethnic music", but a branch of "local music" on the edge of Hunan, Hubei (west), Guizhou and Chongqing (east).
【作者单位】： 中山职业技术学院;
【分类号】：J609.2
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本文编号：2013152