论莫扎特歌剧中女高音咏叹调的四种性格类型

发布时间：2018-06-20 20:34

本文选题：莫扎特 + 歌剧　；参考：《安徽师范大学》2005年硕士论文

【摘要】：莫扎特是欧洲音乐史上最伟大的作曲家之一,歌剧是他创作的一个主要领域。他信奉“诗歌应当是音乐顺从的儿女”的音乐美学观,在歌剧音乐创作中他把咏叹调作为刻画人物性格的主要手段,塑造了大量鲜明生动的角色,其中女高音角色的塑造是其歌剧人物创作中不可忽视的部分。针对不同的音乐题材、体裁,他赋予歌剧中女高音角色以不同的性格特征和音乐形象,对人物刻画细腻、使人物极富个性。本文从莫扎特歌剧创作美学观出发,阐述了其美学观形成的时代背景和古典乐派的创作风气;分析了莫扎特歌剧创作的题材时代性、音乐的通俗与纯美、音乐的民族性、音乐的戏剧性和音乐中人物性格描写的真实多面性等特点;梳理了22 部歌剧中31 个女高音角色和58 首咏叹调;形成了莫扎特歌剧中女高音咏叹调四种性格类型的观点。使演唱者对莫扎特歌剧音乐中女高音咏叹调的创作特点有了进一步的认识,在演唱其咏叹调时能够更好的体现莫扎特的歌剧创作思想,展现莫扎特的歌剧音乐风格,完成歌剧人物塑造中,莫扎特所期望塑造的人物性格特点。文章分四部分:第一部分,莫扎特歌剧创作的美学观;第二部分,莫扎特的歌剧创作特点;第三部分,莫扎特歌剧中塑造的女高音角色的咏叹调;第四部分,莫扎特歌剧中女高音角色的四种性格类型。
[Abstract]:Mozart is one of the greatest composers in the history of European music. He believed in the aesthetic view of music that "poetry should be children of musical obedience". In his musical creation of opera, he took arias as the main means to portray the character of the characters, and created a large number of vivid and vivid characters. The creation of soprano is an important part in the creation of opera characters. In the light of different musical themes and genres, he endows the soprano characters with different characters and musical images in opera. Starting from Mozart's aesthetic view of opera creation, this paper expounds the background of the formation of Mozart's aesthetic view and the creation atmosphere of classical music school, analyzes the theme of Mozart's opera creation, the popular and pure beauty of music, and the national character of music. The drama of music and the real multi-facet character description of characters in music, 31 soprano characters and 58 arias in 22 operas are combed, and the viewpoint of four personality types of soprano aria in Mozart opera is formed. It makes the singer have a further understanding of the characteristics of soprano aria in Mozart opera music, and can better reflect Mozart's opera creation thought and show Mozart's opera music style when singing his aria. The character characteristics that Mozart expects to portray in the creation of opera characters. The article is divided into four parts: the first part, the aesthetic view of Mozart's opera creation; the second part, the characteristics of Mozart's opera creation; the third part, the aria of the soprano character created in Mozart's opera; the fourth part, The four personality types of soprano in Mozart opera.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J616

【引证文献】