变化音的类型与调性关系

发布时间：2018-06-21 00:17

  本文选题：调性变音 + 调式变音　； 参考：《音乐创作》2011年02期

【摘要】：在音乐技术理论教学过程中,学生与教师接触最多的以是调性为中心写作的音乐作品。在剖析这些作品同时,学生普遍存在的技术难题是如何从错综复杂的变化音记号中清晰地看出调性?调性是音乐创作的"坐标点","坐标点"不能定位,音乐作品的分析将成为泡影。本文从调性角度对作品中出现的各种变化音进行了理论分类,并从实践上对这些变化音应用规律进行了归纳。为调性的分析提供了基本的理论依据与参考。
[Abstract]:In the process of music technology theory teaching, students and teachers are most in contact with music works written with tonality as the center. At the same time of analyzing these works, the common technical problem for students is how to clearly see the tonality from the intricate and varied phonetic marks. Tonality is the coordinate point of music creation. From the perspective of tonality, this paper classifies all kinds of changing sounds in the works theoretically, and sums up the application rules of these changing sounds in practice. It provides the basic theoretical basis and reference for the analysis of tonality.
【作者单位】： 江苏省徐州师范大学音乐学院;
【分类号】：J614
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本文编号：2046286