声乐套曲《最后四首歌曲》的艺术、审美特色论析

发布时间：2018-06-21 15:06

本文选题：声乐套曲《最后的四首歌曲》 + 艺术特色　；参考：《首都师范大学》2006年硕士论文

【摘要】：德国作曲家理查·施特劳斯逝世前创作的声乐套曲《最后四首歌曲》是他将声乐与交响乐珠联璧合的“最后的天鹅绝唱”。这部套曲不仅仅是一部声乐作品，它是一部伟大的音诗，一部不朽的杰作。本文立足于这部套曲的谱例，一方面论析其音乐和语言方面的艺术特色；另一方面，结合美学知识，从这部作品的“优美”、“崇高”两方面论析这四首歌曲的审美特色。同时，本文还对理查·施特劳斯艺术歌曲的演唱风格，，特殊贡献提出见解。论析的基本思路是：以歌曲本性论和歌曲美学为指导，以艺术歌曲的主要成分：人声、伴奏和诗歌为出发点，论析作曲家如何通过种种艺术手段和创作手法使音乐与诗歌情节的展开始终吻合，从而赋予了这部套曲独特的艺术、审美特色乃至永恒的艺术魅力。本文对这部套曲的音乐、语言的艺术特色，歌曲的审美特色和作曲家的创作思想等方面进行分析，以及对演唱者如何根据作曲家的一度创作进行二度创作提出建议，不仅希望能为国内艺术歌曲的传统理论添砖加瓦，而且能有助于从更深层次上挖掘这部套曲的艺术和审美内涵，有助于演唱者更好地进行二度创作以及加深对这部作品的理解。在写作逻辑上笔者遵循两条主要线索：一是从作曲家的一度创作到演唱者的二度创作，然后再回到一度创作；二是对这部作品的创作、演唱、欣赏、审美分析。这两条线索在展开的过程中既相互交织又平行发展。本文分为五个部分：第一部分，交待作曲家的创作经历、创作心理以及这部套曲的创作背景；第二部分，主要是对套曲中四首歌曲的音乐、语言方面的艺术特色进行分析，以及歌唱者如何根据作曲家的创意进行二度创作提出见解；第三部分，主要从美学角度论析这部套曲的“优美”、“崇高”的审美特色：第四部分，综述理查·施特劳斯艺术歌曲的整体风格；第五部分，从整体上分析作曲家对艺术歌曲创做出的特殊贡献。
[Abstract]:Before the death of German composer Richard Strauss, he composed the last four songs of vocal music, which was the last swan song that he combined the vocal music with the symphony. This ensemble is not just a vocal work, it is a great musical poem, an immortal masterpiece. On the one hand, this paper analyzes the artistic characteristics of its music and language; on the other hand, it analyzes the aesthetic characteristics of the four songs from the two aspects of "elegance" and "sublime" in combination with aesthetic knowledge. At the same time, this article also to Richard Strauss art song singing style, special contribution to put forward the opinion. The basic ideas of this thesis are as follows: guided by the theory of song nature and song aesthetics, and based on the main components of art songs: human voice, accompaniment and poetry. This paper discusses how the composer, through various artistic means and creative techniques, makes music and poetry always coincide with the plot, thus endowing this suite with unique art, aesthetic characteristics and even eternal artistic charm. This paper analyzes the music of the ensemble, the artistic features of language, the aesthetic characteristics of songs and the creative thoughts of composers, and puts forward some suggestions on how to make second creation according to the composer's once creation. It is hoped that it can not only contribute to the traditional theory of domestic art songs, but also help to dig up the artistic and aesthetic connotations of the suite on a deeper level, and help the singers to create second times better and to deepen their understanding of the work. In writing logic, the author follows two main clues: one is from the composer's creation to the singer's second creation, and then to the former creation; the other is the creation, singing, appreciation and aesthetic analysis of this work. These two clues are intertwined and developed parallel to each other in the process of development. This article is divided into five parts: the first part is about the composer's creation experience, the creation psychology and the creation background of the suite, the second part is mainly to analyze the artistic characteristics of the music and language of the four songs in the suite. The third part, mainly from the aesthetic point of view to analyze the "beautiful", "noble" aesthetic characteristics: part four, This paper summarizes the overall style of Richard Strauss' art songs, and the fifth part analyzes the composers' special contribution to the creation of art songs.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J605

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