《儿童钢琴曲集—安代》创作研究

发布时间：2018-06-24 12:00

本文选题：安代 + 风格　；参考：《内蒙古师范大学》2014年硕士论文

【摘要】：《儿童钢琴曲集-安代》是以蒙古族安代歌舞音乐为背景创作的儿童钢琴音乐作品。这是第一部以蒙古族传统文化“安代”为题材创作的儿童钢琴曲集，也是一部将蒙古族安代民歌作为音乐语言创作的作品。这部曲集吸收了蒙古族民间音乐精华，借鉴西方音乐创作技法，，探索运用多种作曲技术表现蒙古族传统音乐文化。作品倾注了作者对于民族音乐的深厚感情，具有典型的蒙古族风格特征。本文主要采用文献研究与谱例分析相结合的方法，从作曲理论角度按照不同的技法类别进行细致分析和研究，重点集中在呼应技法、主题形态、和声技法、调式运用、复调技法、固定音型以及现代作曲技法等方面的研究。文章结合了蒙古族生产生活与安代文化之间的紧密联系，深入剖析曲作者如何将民族、传统和现代音乐风格进行融合并且进行创作。文章主要有三部分内容：第一章简要论述蒙古族传统音乐文化中的“安代”及其社会功能。分析了《儿童钢琴曲集——安代》的基本构成及其音乐风格特征，为充分理解蒙古族安代音乐文化与其它民间音乐之间的紧密联系提供借鉴。第二章从作曲理论角度出发，运用文献研究与谱例分析相结合的方法，着重论述了《安代传说》、《安代故事》以及《安代幻想》的各种创作技法。本章内容是全文写作的重点。旨在从民族、传统和现代的三种不同的风格特征探寻作者的创作构思，并且从中得到创作启示。第三章从宏观的角度探讨这部儿童钢琴曲集对于民族音乐的继承和创新。这项研究的创新之处首先表现在文章的分析和研究主要从文化现象本身所表现出的音乐形态特征展开分析，脱离其宗教意义，属于世俗题材。文章从蒙古族民族文化、生产生活和审美意识等多角度审视和概括其艺术价值。其次，这项研究课题不仅为蒙古族风格儿童钢琴曲创作研究充实了内容，而且在厚重的安代文化与儿童钢琴小曲载体不易平衡的状态下寻找出路。因此，本文是在原有蒙古族音乐文化研究基础之上的一项创新研究。通过本文写作，试图让人们从乐曲的创作技法方面对其所表现出的民族性、时代性和创新性有一个系统、全面的了解，对于作者如何在民族文化中寻找自己的音乐语言并将其转化为音乐创作思维有一个正确的认识。希望通过本文使更多的人能熟悉和喜爱《儿童钢琴曲集—安代》，为推动内蒙古民族音乐的发展、弘扬内蒙古音乐文化尽一点绵薄之力。
[Abstract]:Children's Piano Collection-Andai is a children's piano music composed in the background of Mongolian Andi song and dance music. This is the first collection of children's piano music on the theme of the Mongolian traditional culture "Andai". It is also a work of Mongolian folk songs as a musical language. This collection absorbs the essence of Mongolian folk music, draws lessons from western musical creation techniques, and explores the use of various composing techniques to express Mongolian traditional music culture. The works pour into the author's deep feelings for national music and have typical Mongolian style characteristics. This article mainly uses the literature research and the spectrum example analysis method, from the composition theory angle carries on the detailed analysis and the research according to the different technique category, the emphases is focused on the echo technique, the theme form, the harmony technique, the mode application. The study of polyphonic technique, fixed tone type and modern composition technique. Combined with the close relationship between Mongolian production and culture, this paper deeply analyzes how the songwriter combines the national, traditional and modern musical styles and creates them. There are three parts in this paper: the first chapter briefly discusses the "Andai" and its social function in Mongolian traditional music culture. This paper analyzes the basic composition and musical style characteristics of Children's Piano Collection-Andai, which provides a reference for fully understanding the close relationship between Mongolian Andi's music culture and other folk music. In the second chapter, from the angle of composition theory, by using the method of literature research and spectral case analysis, the author emphatically discusses the various creative techniques of "Andai Legend", "Andai Story" and "Andai Fantasy". The content of this chapter is the focal point of full-text writing. The purpose of this paper is to explore the author's creative conception from three different characteristics of nationality, tradition and modern style, and to get inspiration from it. Chapter three discusses the inheritance and innovation of this collection of children's piano songs to folk music from the macro point of view. The innovation of this study lies in the analysis and research of the article mainly from the characteristics of the music form shown by the cultural phenomenon itself, which deviates from its religious significance and belongs to the secular subject matter. This paper examines and generalizes the artistic value of Mongolian nationality from the aspects of national culture, production and life and aesthetic consciousness. Secondly, this research topic not only enriches the content of Mongolian children's piano music creation, but also finds a way out under the condition that it is not easy to balance the heavy culture of Andai and the carrier of children's piano music. Therefore, this paper is an innovative study based on the original Mongolian music culture research. Through the writing of this paper, we try to make people have a systematic and comprehensive understanding of the nationality, the times and the innovation of the music from the aspect of the composing techniques. The author has a correct understanding of how to find his own music language in national culture and transform it into music creation thinking. It is hoped that more and more people will be familiar with and like the Children's Piano Collection-Andai through this article, so as to promote the development of Inner Mongolia folk music and carry forward the Inner Mongolia music culture.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

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