拉威尔《F大调弦乐四重奏》和声研究

发布时间：2018-06-25 17:17

本文选题：拉威尔 + F大调弦乐四重奏　；参考：《山东艺术学院》2014年硕士论文

【摘要】：莫里斯·拉威尔是十九世纪末二十世纪初法国著名的作曲家、钢琴家、指挥家，印象主义音乐的杰出代表人物之一。他一生的音乐创作颇丰，涉及歌剧、舞剧、艺术歌曲、管弦乐、室内乐、钢琴等多个领域。他的音乐作品种类众多，，题材丰富，既包含各种各样的音乐风格，又独创性地具有自身的音乐特点。本文以拉威尔《F大调弦乐四重奏》为切入点，主要从这部作品的曲式结构、调式调性思维以及和声技法三个方面进行研究，细致分析与归纳其和声语汇，力求探索出拉威尔和声语言的风格特征以及音乐风格的形成与和声技法、曲式结构的运用之间密不可分的关系。全文包括引言、正文和结语三个部分。引言阐述了本课题选题的研究目的、研究意义以及研究现状。正文分为五章，第一、二章阐述了印象主义音乐的形成与特征、印象主义音乐的代表人物、拉威尔的生平与创作生涯，以及弦乐四重奏的发展脉络、拉威尔《F大调弦乐四重奏》的创作背景。第三章叙述了奏鸣——交响套曲以及《F大调弦乐四重奏》各乐章的曲式结构特点。第四章主要着眼于作品的调式调性思维分析，对调式的旋律呈现、调性的建立方式、和声调性的展开方式以及调式渗透、调式复合手法的运用加以阐述。第五章是针对《F大调弦乐四重奏》和声技法的探析，包括和弦的纵向构成与和声的横向进行两个方面，寻绎该作品色彩性的和声创作手法。文章结语部分结合哲学基本原理，总结了拉威尔《F大调弦乐四重奏》这部作品的音乐特点及其重要的音乐地位。
[Abstract]:Maurice Ravel is a famous French composer, pianist, conductor and one of the outstanding representatives of Impressionist music in the late 19th century and early 20th century. His life of music creation, involving opera, dance, art songs, orchestral, chamber music, piano and other fields. His musical works include many kinds of music, rich themes, including all kinds of musical styles, but also have their own musical characteristics. This paper takes Ravel's string Quartet in F major as the starting point, mainly from three aspects of the musical structure, the mode of thinking and the harmony technique, and analyzes and sums up its harmony vocabulary in detail. It tries to explore the style characteristics of Ravel's harmony language, the formation of musical style and the harmony technique, and the close relationship between the use of musical structure. The full text includes three parts: introduction, text and conclusion. The introduction describes the purpose, significance and current situation of this topic. The text is divided into five chapters. The first and second chapters describe the formation and characteristics of Impressionist music, the representative characters of Impressionist music, Ravel's life and creative career, and the development of string quartet. The background of Ravel's string Quartet in F major. The third chapter describes the musical structure of the symphonic ensemble and string quartet in F major. The fourth chapter mainly focuses on the analysis of the mode of tonality thinking, the presentation of the melody of the tone, the establishment of the tonality, the expansion of the tone and the application of the mode of penetration and the application of the compound technique of the mode. The fifth chapter analyzes the harmony techniques of string quartet in F major, including the vertical composition of the chord and the horizontal harmony. The conclusion of the article combines the basic principles of philosophy and summarizes the musical characteristics and important musical status of Ravel string Quartet in F major.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614.1

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