“让文艺回归心灵”引发的思考

发布时间：2018-06-28 03:07

本文选题：文艺创作 + 音乐批评　；参考：《人民音乐》2011年09期

【摘要】：正2011年6月24—25日,北京评论家协会在京举行题为"让文艺回归心灵"的座谈会。大约90名包括音乐家在内的文艺界人士出席了会议。会上北京评协副主席孟繁华提出了10个当今我国大陆存在的文艺创作与批评的问题,即作品疏离现实,人才培养不健全,经济大潮影响下文艺创作缺乏方向感,媚俗,市场不规范,评奖活动不纯,新型媒介冲击,文化产业复制品影响大众趣味,媚官,文艺理论和批评因自身问题无法指导创作。从与会者的发言看,大家主要关注生活体验、市场经济影响、艺术标准和批评方式这几个问题,涉及批评对象和批评自身。笔者近来也一直在思考音乐批评的理论与实践问题,因此借力北京座谈会的主题和具体讨论内容,结合音乐界现象,参与相关问题的探讨(本文引用未加注释者,均出自中央音乐学院音乐学研究所网站登载的"2011北京文艺评论家协会座谈会纪要")。
[Abstract]:On June 24-25, 2011, the Beijing critics' Association held a symposium entitled "Let Literature and Art return to the mind." About 90 people from the literary and art circles, including musicians, attended the meeting. At the meeting, Meng Xinghuang, vice chairman of the Beijing Association for Evaluation and Analysis, raised 10 problems of literary and artistic creation and criticism existing in the mainland of China today, that is, the works are alienated from reality, the training of talented people is not perfect, and under the influence of the economic tide, literary and artistic creation lacks a sense of direction and vulgarity. The market is not standardized, the prize evaluation is not pure, the new media impact, the cultural industry replicas affect the popular interest, obsequious officials, literary theory and criticism because of their own problems can not guide the creation. From the speeches of the participants, we are mainly concerned about the life experience, the influence of the market economy, the artistic standard and the way of criticism, which involve the object of criticism and the criticism itself. The author has been thinking about the theory and practice of music criticism recently, so I take advantage of the theme and specific discussion content of Beijing Symposium, and participate in the discussion of related problems. All from the Central Conservatory of Music Institute of Musicology website published on the "2011 Beijing Arts critics Association Symposium minutes").
【作者单位】：齐齐哈尔大学音乐与舞蹈学院;
【分类号】：J692

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