论勃拉姆斯《第三小提琴奏鸣曲》演奏中音乐表演的真实性与创造性的统一

发布时间：2018-06-29 05:32

本文选题：作品分析 + 演奏研究　；参考：《武汉音乐学院》2014年硕士论文

【摘要】：约翰内斯·勃拉姆斯（Johannes Brahms，1833——1897）是德奥浪漫主义时期的一位重要作曲家。《第三小提琴奏鸣曲》创作于1886——1888年，是作者的晚期作品，也是小提琴演奏史上极为重要的经典作品。本文拟以勃拉姆斯《第三小提琴奏鸣曲》的作品分析与演绎研究为切入点，探讨音乐表演中的真实性与创造性相统一的重要性。第一章通过分析创作背景、曲式分析、创作特点以及相关背景资料，，探究音乐表演真实性的理论参考依据。第二章通过音色、揉弦、运弓、音乐形象塑造的演奏技术研究，分析创造性在演奏中的具体应用。第三章试图探讨音乐表演的真实性与创造性相统一的辩证关系。
[Abstract]:Johnannes Brahmsn (1833-1897) is an important composer in the Romantic period. "the third Violin Sonata" was written between 1886 and 1888, and it is the late work of the author. It is also an extremely important classical work in the history of violin playing. Based on the work analysis and deduction of Brahms's third Violin Sonata, this paper discusses the importance of the unity of authenticity and creativity in musical performance. The first chapter explores the theoretical reference basis for the authenticity of musical performance by analyzing the background of creation, musical form analysis, creative characteristics and relevant background materials. The second chapter analyzes the application of creativity in performance through the study of playing techniques of timbre, string kneading, bow operation and musical image shaping. Chapter three attempts to explore the dialectical relationship between authenticity and creativity of musical performance.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

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