从肖邦练习曲OP.25之6的版本比较看版本选择

发布时间：2018-07-04 14:13

本文选题：乐谱版本 + 版本比较　；参考：《河南大学》2005年硕士论文

【摘要】：乐谱版本在西方音乐的编辑和出版史上大致经历过三个时期,可以按照乐谱编辑的程度、资料的来源和编辑的程度、作品曲目内容的范围等进行分类。不同的乐谱版本反映了不同历史时期学术研究的水平,乐谱版本的研究比较在钢琴教学与演奏中被越来越多的演奏者普遍重视。作为 19 世纪浪漫乐派杰出的钢琴音乐大师,弗雷德里克·肖邦以其独特的音乐风格在钢琴艺术中占有重要位置。肖邦钢琴音乐作品的乐谱版本一直以来在很大程度上受到编者的干预,因其多而杂乱,一直以来备受人们的关注。本文在肖邦练习曲 OP.25 之 6 国内现行正式出版的几种乐谱版本和国内可以检索到的馆藏外文乐谱版本以及一些大师的音响资料的基础上,结合经验性研究与个案分析方法,通过对乐谱来源、编辑前言、以及乐谱中的拍号标记、力度标记、速度标记、踏板标记、连线标记、指法标记、表情术语、音符等的异同进行比较,以及对不同肖邦作品演奏大师的录音比较,借以发现版本间的差异。本文也探寻了一种版本研究的方法,以拓展版本比较的思路。这种版本的比较意义在于揭示版本比较的重要作用,提高钢琴演奏者对乐谱版本选择的意识,从而更好指导我们的钢琴艺术实践。乐谱版本的问题也就是真理的相对性在艺术领域的表现,对艺术真理相对性的理解有助于我们对乐谱版本问题的探讨。对乐谱版本的研究与选择应遵循一定的原则,具体到钢琴演奏与教学中的乐谱版本选择问题,本文也提炼出了一些值得加以注意的原则性建议。
[Abstract]:The music version has experienced three periods in the history of editing and publishing of western music. It can be classified according to the degree of music score editing, the source of the data and the degree of editing, and the scope of the contents of the works. Different versions of music scores reflect the level of academic research in different historical periods, and the comparison of music versions has been paid more and more attention by more and more players in piano teaching and playing. As an outstanding piano music master of romantic music in the 19th century, Frederick Chopin plays an important role in piano art with his unique musical style. Chopin piano music version has been largely affected by the intervention of the editor, because of its many and messy, has been paid attention to. On the basis of several versions of Chopin Etudes OP.25 currently published in China, the foreign music versions of the library which can be retrieved in China, and the sound data of some masters, this paper combines empirical research and case analysis. By comparing the origin of the music score, the editing of the foreword, and the similarities and differences between the number mark, the intensity mark, the speed mark, the pedal mark, the line mark, the finger mark, the expression term, the note, etc. And the recording of different Chopin masters to find out the differences between versions. This paper also explores a method of version research in order to expand the thinking of version comparison. The comparative significance of this version lies in revealing the important role of the version comparison and enhancing the piano players' awareness of the choice of the music score version so as to better guide our piano art practice. The problem of music version is the expression of the relativity of truth in the field of art. The understanding of the relativity of art truth is helpful to us to probe into the problem of music score version. The research and selection of music version should follow certain principles, especially in piano playing and teaching. This paper also abstracts some suggestions of principle worth paying attention to.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J605

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