试论建国前中国合唱艺术风格的阶段性衍变及启示

发布时间：2018-07-05 09:04

本文选题：合唱艺术风格 + 合唱创作风格　；参考：《湖南师范大学》2006年硕士论文

【摘要】：本文分为引言、正文和结语三部分。其中正文以历史阶段为线索,采用整体综合研究的方法,对中国建国前的合唱艺术的风格及其阶段性衍变进行了概括性的探究,另外,笔者还试图根据它的阶段性衍变风格,分析出它对中国当代合唱艺术发展的借鉴与启示,文章主要分为四个章节;第一章:“学堂乐歌”时期合唱艺术的风格特点;第二章:“五四”时期合唱艺术的风格特点;第三章:“抗日、解放战争”时期合唱艺术的风格特点;第四章:建国前的中国合唱艺术风格的阶段性衍变对中国当代合唱艺术发展的借鉴和启示。本文分别对“学堂乐歌”、“五四”和“抗日、解放战争”三个历史时期的合唱作品的创作特点(包括创作背景、创作模式、歌词创作特点、作曲技法分析)、表演风格(包括演唱、指挥与伴奏特点)、审美特点以及各阶段合唱艺术风格的衍变特点等进行了相关的研究。笔者认为,合唱艺术风格发展的延续性与阶段性,都与其音乐本体的技术法则的历史规定性密切相关,合唱艺术的风格之所以可以呈现出阶段性,每一阶段的主体风格特点都不重复,都是时代精神、社会风貌影响和制约的结果。尽管同一时代的合唱作曲家的作曲技法、音乐表现的语言不尽相同,但从历史的、宏观的角度上分析,就不难得出他们具有的大体一致的主体风格与整体风貌,而且这种合唱的时代主体风格的衍变是以社会的群体审美意识与审美趣味的改变为基础的,因此,本文试图通过分析上述各历史时期中能体现该时期的时代主体风格的作曲家群的合唱作品的社会因素与技术法则,来推断出该历史时期的合唱艺术的风格表现特点与衍变的规律与特征,最后笔者
[Abstract]:This article is divided into three parts: introduction, text and conclusion. The text takes the historical stage as the clue, adopts the overall comprehensive research method, has carried on the general exploration to the Chinese choral art style and its stage evolution before the founding of the people's Republic of China, in addition, the author also attempts to according to its stage evolvement style, The article is divided into four chapters: the first chapter is the style characteristics of chorus art in the period of "school music song", the second chapter: the style characteristic of chorus art during the "May 4th" period; Chapter three: the style characteristics of chorus art in the period of "War of Resistance against Japan and Liberation", the fourth chapter: the stage evolution of Chinese chorus art style before the founding of the people's Republic of China and its enlightenment to the development of Chinese contemporary chorus art. In this paper, the creative characteristics of chorus works in the three historical periods (including the background of creation, the creation mode, the creative characteristics of lyrics and the creation of lyrics) in the three historical periods of "School Song", "May 4th" and "War of Liberation" are discussed respectively. Analysis of composition techniques), performance style (including singing, command and accompaniment characteristics), aesthetic characteristics and the evolution of the various stages of choral art style were studied. The author believes that the continuity and stage of the development of choral art style are closely related to the historical stipulation of the technical rules of its music Noumenon, and the style of choral art can take on a stage. The main style features of each stage are not repeated, are the result of the influence and restriction of the spirit of the times and social features. Although the composition techniques and musical expressions of choral composers of the same era are not the same, it is not difficult to find out from a historical and macroscopic perspective that they have roughly the same subject style and overall style. Moreover, the evolution of the style of the main body of this chorus is based on the change of the social aesthetic consciousness and aesthetic taste. This paper attempts to analyze the social factors and technical principles of the choral works of composers in each of the historical periods mentioned above, which can reflect the main style of the period. To infer the characteristics of the style and evolution of the choral art in this historical period, and finally the autho
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616

【引证文献】