论歌剧音乐剧剧本文学研究的学科归属

发布时间：2018-07-05 12:43

  本文选题：歌剧音乐剧史论 + 歌剧音乐剧文学创作理论　； 参考：《中国音乐》2011年03期

【摘要】：在现行艺术教育制度和艺术学学科分类格局下,歌剧音乐剧史论研究及其文学创作理论研究在学科归属上遭遇尴尬。其实,歌剧音乐剧剧本文学理论理应是音乐学学科群落中一个当之无愧的新成员;在理想状态下,它理应成为一级学科"艺术学理论"的第四个二级学科"舞台综合艺术学"项下三级学科"歌剧音乐剧史论及批评"的一个研究方向——"歌剧音乐剧剧本文学研究及批评"。从而令其有一个名正言顺的栖息地,为它的健康成长提供一个可以施展拳脚的学术平台。
[Abstract]:Under the current system of art education and the classification of art subjects, the study of opera musical history theory and its literary creation theory are confronted with embarrassment. In fact, the theory of opera, musical play and literature should be a well-deserved new member of the musicology community. It is supposed to be a research direction of opera musical history and criticism under the fourth secondary subject of "the theory of art", "stage comprehensive art"-"the study and criticism of opera musical script literature". Thus, it has a proper habitat and provides an academic platform for its healthy growth.
【作者单位】： 南京艺术学院;
【分类号】：J617.2
，

本文编号：2100245