施光南声乐作品钢琴伴奏写作的民族性创作特征
发布时间:2018-07-12 08:49
本文选题:施光南 + 钢琴伴奏 ; 参考:《中国音乐学院》2013年硕士论文
【摘要】:施光南是新中国音乐殿堂杰出的作曲家。他创作了大量的民族声乐作品,其中施光南编配的钢琴伴奏在他的创作中具有较高的艺术水准。作为艺术指导专业的学生对施光南钢琴伴奏创作的研究是很有必要的,,提高自己分析并编配钢琴伴奏的能力。他的钢琴伴奏创作,把民族音乐的神韵化为自己的音乐创作语言,并结合西方创作技法,奠定了施光南独具个性的音乐风格。这不仅代表了新中国成立后钢琴伴奏创作的较高水平,也为当代钢琴伴奏的创作提供了可以借鉴的范本。对施光南声乐作品钢琴伴奏的创作进行研究是有必要的。 本文将分五个章节进行论述 第一章:施光南的艺术人生以及艺术创作概述和审美特征 第二章:论述施光南钢琴伴奏的民族性特征。包括民族化和声、民族性调性曲式、民族性节奏型、民族乐器的模仿。 第三章:论述施光南声乐作品钢琴伴奏的创作特征。包括模仿西洋乐器音色、钢琴伴奏织体、同一织体的不同形态、多连音的运用、钢琴伴奏中的意境、钢琴伴奏中的调性转换六方面。 第四章:施光南钢琴伴奏的贡献。 第五章:对施光南钢琴伴奏的启发与思考,以及本课题的研究意义。 本文选择施光南声乐作品钢琴伴奏的创作特征作为研究对象,这是前人所没有研究过的。本文运用比较分析法,引用分析法,列举分析法,从民族性特征、和声、节奏、调性曲式以及钢琴伴奏织体的写作几个方面分析了施光南声乐作品钢琴伴奏的创作特征,力求在民族声乐钢琴伴奏创作中进行探究,提高艺术指导的分析作品及编配钢琴伴奏的能力。
[Abstract]:Shi Guangnan is an outstanding composer in New China. He has created a large number of national vocal music works, among which Shi Guangnan's piano accompaniment has a high artistic level in his creation. It is necessary to study Shi Guangnan piano accompaniment creation by students majoring in art guidance. It is necessary to improve their ability to analyze and assign piano accompaniment. His piano accompaniment transformed the charm of folk music into his own musical creation language and combined with western creative techniques established Shi Guangnan's unique musical style. This not only represents the higher level of piano accompaniment creation after the founding of New China, but also provides a model for contemporary piano accompaniment creation. It is necessary to study the piano accompaniment of Shi Guangnan vocal works. This article will be divided into five chapters to discuss the first chapter: Shi Guangnan's artistic life and artistic creation and aesthetic characteristics of the second chapter: discusses the national characteristics of Shi Guangnan piano accompaniment. It includes nationalized harmony, national tonality, national rhythm, and imitation of national musical instruments. The third chapter discusses the creative characteristics of piano accompaniment in Shi Guangnan vocal works. Including imitation of western musical instrument timbre, piano accompaniment texture, different forms of the same texture, the use of multi-tone, piano accompaniment in the artistic conception, piano accompaniment in the tone conversion six aspects. Chapter four: the contribution of Shi Guangnan piano accompaniment. Chapter five: the inspiration and thinking of Shi Guangnan piano accompaniment, and the significance of this research. This paper chooses the characteristics of piano accompaniment in Shi Guangnan vocal works as the object of study, which has not been studied before. By means of comparative analysis, citation analysis and enumeration analysis, this paper analyzes the creative characteristics of piano accompaniment in Shi Guangnan vocal works from the aspects of national characteristics, harmony, rhythm, tonality and composition of piano accompaniment. To explore the piano accompaniment of national vocal music, to improve the analytical works of artistic guidance and the ability to arrange piano accompaniment.
【学位授予单位】:中国音乐学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J624.1
【参考文献】
相关期刊论文 前3条
1 王丽响;;施光南声乐套曲《革命烈士诗抄》布局及其形象塑造分析[J];大舞台;2012年05期
2 吴海清;;浅谈施光南声乐作品中的民族性特征[J];大众文艺;2012年11期
3 任音;;论钢琴独奏者进行声乐钢琴伴奏的技术转换[J];星海音乐学院学报;2009年02期
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