从“跨界演唱”中探索中国民族声乐的多元化发展
发布时间：2018-07-14 10:05
【摘要】：“跨界音乐”近几年在国内总是被人们频频提及，越来越多的音乐人也开始探索和关注多元素相融合的音乐创作与演绎，自从欧美的跨界演唱传入我国后，我国也涌现出了一大批尝试在自己的作品中融入不同唱法的歌唱家，这种新型的演唱方式给观众带来了前所未有的视觉冲击，也满足更多听众更广泛的审美需求。本篇论文从跨界音乐的兴起着手，介绍跨界音乐的发展从而引出跨界演唱的现状。从中西方的角度，分别举例说明了跨界演唱中所包含的多元化音乐符号。这一现象不仅激发了音乐家，歌唱家的创新欲望，而且也更大程度的满足了不同层面的听众。引起了人们对于混合音乐的关注与思考。论文分为六个部分依次从不同的方面分析了跨界演唱存在的理由与必要性。这是一门新兴的艺术门类值得我们去思考与探索。
[Abstract]:"Transboundary Music" has always been mentioned frequently in China in recent years, and more musicians have begun to explore and pay attention to the music creation and interpretation of multi-element fusion, since the cross-border singing of Europe and the United States was introduced into our country. China has also emerged a large number of singers trying to incorporate different singing methods in their own works, this new singing method has brought unprecedented visual impact to the audience, but also to meet the broader aesthetic needs of more listeners. This paper begins with the rise of cross-border music, introduces the development of cross-border music and leads to the present situation of cross-border singing. From the point of view of China and the West, this paper illustrates the pluralistic musical symbols included in cross-border singing. This phenomenon not only inspires musicians and singers to innovate, but also satisfies different audiences to a greater extent. It has aroused people's concern and thinking about mixed music. The thesis is divided into six parts and analyzes the reason and necessity of cross-border singing from different aspects. This is a new art category worthy of our thinking and exploration.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J616.2
本文编号：2121305
[Abstract]:"Transboundary Music" has always been mentioned frequently in China in recent years, and more musicians have begun to explore and pay attention to the music creation and interpretation of multi-element fusion, since the cross-border singing of Europe and the United States was introduced into our country. China has also emerged a large number of singers trying to incorporate different singing methods in their own works, this new singing method has brought unprecedented visual impact to the audience, but also to meet the broader aesthetic needs of more listeners. This paper begins with the rise of cross-border music, introduces the development of cross-border music and leads to the present situation of cross-border singing. From the point of view of China and the West, this paper illustrates the pluralistic musical symbols included in cross-border singing. This phenomenon not only inspires musicians and singers to innovate, but also satisfies different audiences to a greater extent. It has aroused people's concern and thinking about mixed music. The thesis is divided into six parts and analyzes the reason and necessity of cross-border singing from different aspects. This is a new art category worthy of our thinking and exploration.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J616.2
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