鲁中南峄城及台儿庄两鼓乐班调查与研究
发布时间：2018-07-14 13:03
【摘要】：本文的结构由民间鼓乐班在民礼仪式中发挥的音乐功能、音乐本体研究、田野调查以及由此引发的文化人类学追问三部分组成。它是作者对鲁中南地区的峄城、台儿庄两个鼓乐班(刘家班和韩家班)的“个案”,进行定向、微型实地考察的研究报告和引发的相关理论阐述。 第一部分,根据民族音乐学基本原理对乡村礼俗音乐进行必要的学理界定;采用人类学“双窗口”的书写模式和“局内人”“局外人”的研究视角,将鲁中南鼓吹乐两个鼓乐班在三个民俗事象中的具体活动,进行对照互映,阐释其反映出来的文化语意。 第二部分,根据田野调查得来的第一手资料,对两个鼓乐班的乐队编制、演奏行为、乐器定调、使用情况分类叙述,着力于两个鼓乐班在婚俗和丧俗中使用的不同曲目,进行曲式结构、曲调来源、旋法规律的音乐本体研究。 第三部分,对鼓乐班的现状,进行学理追问,力图以文化人类学的理论,进行深度描述,阐释其深层内涵。
[Abstract]:The structure of this paper consists of three parts: the music function played by folk drum music class in the ritual style, the study of music ontology, the field investigation and the cultural anthropology questioning caused by it. It is the author's "case" of Yicheng and Taierzhuang's two drum music classes (Liu Jiaban and Han Jiaban) in the central and southern part of Shandong Province. The first part, according to the basic principles of ethnomusicology, makes the necessary theoretical definition of rural ritual and custom music, adopts the writing mode of anthropology "double windows" and the research angle of "insiders" and "outsiders". The specific activities of the two drum music classes in the three folklore events are compared and reflected in order to explain their cultural meanings. The second part, according to the firsthand data obtained from field investigation, narrates the composition of the band, the performance of the two drum classes, the setting of the musical instrument, and the usage of the drum music classes, and focuses on the different tracks used by the two drum music classes in the marriage and funeral customs. A study on the structure of marching music, the origin of tunes and the law of rotation. In the third part, the present situation of drum music class is discussed, and the deep connotation of it is explained by the theory of cultural anthropology.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J607
本文编号：2121737
[Abstract]:The structure of this paper consists of three parts: the music function played by folk drum music class in the ritual style, the study of music ontology, the field investigation and the cultural anthropology questioning caused by it. It is the author's "case" of Yicheng and Taierzhuang's two drum music classes (Liu Jiaban and Han Jiaban) in the central and southern part of Shandong Province. The first part, according to the basic principles of ethnomusicology, makes the necessary theoretical definition of rural ritual and custom music, adopts the writing mode of anthropology "double windows" and the research angle of "insiders" and "outsiders". The specific activities of the two drum music classes in the three folklore events are compared and reflected in order to explain their cultural meanings. The second part, according to the firsthand data obtained from field investigation, narrates the composition of the band, the performance of the two drum classes, the setting of the musical instrument, and the usage of the drum music classes, and focuses on the different tracks used by the two drum music classes in the marriage and funeral customs. A study on the structure of marching music, the origin of tunes and the law of rotation. In the third part, the present situation of drum music class is discussed, and the deep connotation of it is explained by the theory of cultural anthropology.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J607
【引证文献】
相关期刊论文 前1条
1 杨采芳;;山东聊城礼俗乐班的女性乐人研究[J];歌海;2011年01期
相关博士学位论文 前1条
1 康瑞军;宋代宫廷音乐制度研究[D];上海音乐学院;2007年
相关硕士学位论文 前8条
1 杨璇;非物质文化遗产班社的动态传承与运行机制[D];福建师范大学;2010年
2 陈琛;“承德清音会”探究[D];中央民族大学;2011年
3 康宁;鲁西南张氏鼓吹班研究[D];延边大学;2011年
4 周方圆;南阳民间鼓吹乐班的民俗学解析[D];西北民族大学;2011年
5 石妙元;唐山皮影戏及其音乐的田野调查与研究[D];内蒙古师范大学;2006年
6 杨采芳;响器班的女人们[D];中国艺术研究院;2010年
7 马思瑶;陕西富平老庙老鼓考察与研究[D];西安音乐学院;2012年
8 赵晨宇;丧葬礼俗中的鼓吹乐[D];内蒙古大学;2013年
，本文编号：2121737
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