德彪西《二十四首钢琴前奏曲》和声研究
发布时间：2018-07-17 18:36
【摘要】：德彪西是作曲家、革新家,被称作是“印象主义”音乐的鼻祖,其音乐对欧美各国音乐产生了深远的影响。他的音乐创作结合了东方音乐,西班牙舞曲和爵士乐的创作手法,运用法国印象派的艺术手法,开拓出了具有自己独特个性的和声语言。他的音乐穿插了俄罗斯、西班牙和东方民族的音乐风格,发展了别具一格的音乐语言风格,如：旋律性的丧失和简短动机的运用；古老自然调式、东方的五声音阶、人为的全音音阶的运用；三度叠置和弦的扩展九和弦、十一和弦的运用；附加音、省略音,以及四五度音程叠置和弦和特殊和弦的运用；曲式结构也趋向自由化、段落模糊,乐曲呈现出不同画面的并置特征等。这些都是其不同于传统音乐风格,发展独特个性音乐语言的方式和手法。 在其二十四首钢琴前奏曲中,德彪西的独特的音乐语言风格得到了淋漓尽致的发展和运用,多调的调式调性既有对大小调式的继承发展,又运用古老自然调式和五声音阶、人工的全音音阶形成了不同的调式特征;丰富的和声语言三度、非三度和弦叠置,附加音及复合和弦的运用使音乐语言呈现出多样的音响效果；五彩的和声进行打破传统却又为我所用形成了各式的和声语言进行,为和声音乐语言的进行增加了多种可能。这些都是其音乐的现代和声语言风格的体现,也是其独具特色的音乐创作风格的展示。本文就从这几个方面对其二十四首钢琴前奏曲进行诠释。
[Abstract]:Debussy is a composer, innovator, called "Impressionism" music ancestor, whose music has a profound impact on European and American music. His musical creation combines oriental music, Spanish dance music and jazz, and develops his own unique harmony language by using French Impressionist artistic techniques. His music interspersed with the musical styles of Russian, Spanish and oriental peoples, and developed distinctive musical language styles, such as the loss of melody and the use of brief motives; the ancient natural mode; the five-tone scales of the east The use of artificial full scale; the expansion of three-degree superimposed chords, the use of nine and eleven chords; the use of additional sounds, elliptical sounds, and overlapping chords and special chords of four or five degrees; and the liberalization of the musical structure and the blurring of paragraphs, The music shows the juxtaposition of different pictures. These are different from the traditional music style, the development of unique individual music language ways and means. In his 24 piano prelude, Debussy's unique musical language style has been developed and used incisively and vividly. The polyphonic tonality not only inherits and develops the big and small modes, but also uses the ancient natural mode and the five-tone stage. The artificial full tone scale forms different mode characteristics: rich harmony language with three degrees, not three degrees of chord superposition, the use of additional sound and compound chord make the music language present various sound effects; The multicolored harmony has broken the tradition but formed various kinds of harmony language, adding many possibilities for the harmony music language. These are the embodiment of the modern harmony language style of his music, and the display of his unique music creation style. This paper interprets its 24 piano prelude from these aspects.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614.1
本文编号：2130570
[Abstract]:Debussy is a composer, innovator, called "Impressionism" music ancestor, whose music has a profound impact on European and American music. His musical creation combines oriental music, Spanish dance music and jazz, and develops his own unique harmony language by using French Impressionist artistic techniques. His music interspersed with the musical styles of Russian, Spanish and oriental peoples, and developed distinctive musical language styles, such as the loss of melody and the use of brief motives; the ancient natural mode; the five-tone scales of the east The use of artificial full scale; the expansion of three-degree superimposed chords, the use of nine and eleven chords; the use of additional sounds, elliptical sounds, and overlapping chords and special chords of four or five degrees; and the liberalization of the musical structure and the blurring of paragraphs, The music shows the juxtaposition of different pictures. These are different from the traditional music style, the development of unique individual music language ways and means. In his 24 piano prelude, Debussy's unique musical language style has been developed and used incisively and vividly. The polyphonic tonality not only inherits and develops the big and small modes, but also uses the ancient natural mode and the five-tone stage. The artificial full tone scale forms different mode characteristics: rich harmony language with three degrees, not three degrees of chord superposition, the use of additional sound and compound chord make the music language present various sound effects; The multicolored harmony has broken the tradition but formed various kinds of harmony language, adding many possibilities for the harmony music language. These are the embodiment of the modern harmony language style of his music, and the display of his unique music creation style. This paper interprets its 24 piano prelude from these aspects.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614.1
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