佐罗塔耶夫手风琴作品《奏鸣曲2号》研究

发布时间：2018-08-28 08:34

【摘要】：20世纪中叶以后，手风琴面临着从传统手风琴转型到自由低音巴扬的趋势，一大批巴扬音乐家开始涌现，并为手风琴创作了更多更适合其特点的作品。作为手风琴界的领军，俄罗斯手风琴迅速风靡全世界。佐罗塔耶夫是俄罗斯著名的手风琴音乐家，他担当了继承人和开拓者的角色，创作了很多适应时代发展作品，对手风琴现代作品的开拓和创新有很大的意义，推动了手风琴由俄罗斯的民族乐器向专业化领域演变的进程。佐罗塔耶夫担当了继承人和开拓者的角色，在他创作的手风琴作品中，蕴含着根植于西方古典主义的传统作曲技法，还有在西方当代音乐发展中萌生出来的新元素，具有很好的艺术研究价值。佐罗塔耶夫把巴扬手风琴作品的写作上升到前所未有的高度，他通过他的作品提高了手风琴在乐器家族中的地位。里程碑式地开拓和发展了手风琴音乐，使其更富有表现力。他的创作风格亦是多种多样，比如室内乐、协奏曲等，对他后来的手风琴音乐的发展产生了深远的影响。在近现代手风琴发展史上，佐罗塔耶夫是一位非常重要的人物。他的作品在国际大赛和音乐会上深受演奏者的青睐，而且还有以他名字命名的手风琴比赛。佐罗塔耶夫在短短十四年的创作生涯中，凭着卓越的音乐天赋和对手风琴的热爱谱写了大量优秀的手风琴作品。他的作品不仅体裁广泛、风格各异，在创作手法上亦有独到之处。在佐罗塔耶夫的作品中，不同体裁与风格的作品都有标志性的旋律代表着佐罗塔耶夫的创作。这种标志性既是人们在听觉上辨别佐罗塔耶夫作品的先端，也是作曲家独特旋律创作手法的表现，更是佐罗塔耶夫作品风格的展示。《奏鸣曲2号》是佐罗塔耶夫的经典作之一，在这首作品中佐罗塔耶夫保持了传统的曲式结构，，将很多现代创作技法融入作品中。在创作上与手风琴的特点相结合并进行大胆的创新，大大开发了手风琴音乐的艺术表现力。笔者想通过对其的分析研究，挖掘出其更多的内在价值，为佐罗塔耶夫作品的理解和演绎方面发掘一些线索。基于以上情况，笔者在本文从音乐本体以及演奏技巧等方面对《奏鸣曲2号》进行了大胆的尝试性分析，从一个演奏者的角度诠释对该部作品的认识和理解出发，对音乐本体和演奏技巧等诸方面进行了全面的、多层次的立体式分析。力图通过对作品的全面分析，在演奏技巧和情感把握方面提出几点个人的建议和演奏方法，同时,笔者通过对作品内在价值的深入挖掘，增进人们对这部音乐作品的理解和认识,以己之绵薄之力为演奏者理解和把握该部作品提供参考。
[Abstract]:After the middle of the 20th century, the accordion was faced with the trend of transition from the traditional accordion to the free bass Bayan. A large number of Bayan musicians began to emerge, and created more and more works suitable for the accordion. As an accordion leader, the Russian accordion quickly swept the world. Zorotayev is a famous accordion musician in Russia. He acted as heir and pioneer and created a lot of development works adapted to the times, which is of great significance to the development and innovation of modern accordion works. Promoted the accordion from the Russian national musical instruments to the professional field of the evolution process. Zorotayev acted as heir and pioneer. His accordion works contained traditional composing techniques rooted in western classicism, as well as new elements arising from the development of contemporary western music. Has the very good artistic research value. Zorotayev raised the writing of Bayan's accordion to an unprecedented level, through which he raised the accordion's position in the musical family. Milestone development and development of accordion music, make it more expressive. His creative styles, such as chamber music and concerto, had a profound influence on the development of his accordion music. Zorotayev is a very important figure in the development of accordion in modern times. His works are popular with performers in international competitions and concerts, and also in accordion competitions named after him. Zorotayev has written a lot of excellent accordion works in his short 14 years of writing career, with outstanding musical talent and love of accordion. His works not only have a wide range of genres, different styles, but also have unique creative techniques. In Zorotayev's works, different genres and styles have iconic melodies to represent Zorotayev's creation. This signature is not only the hearing to distinguish the apex of Zorotaev's works, but also the composer's unique melody creation techniques. It is also a display of the style of Zorotayev's works. Sonata No. 2 is one of Zorotaev's classic works, in which Zorotaev maintains the traditional musical structure. Many modern creative techniques are incorporated into the works. Combining with the characteristics of accordion and innovating boldly, the artistic expression of accordion music is greatly developed. Through the analysis and research, the author tries to find out more intrinsic value of Zorotayev's works, and find some clues for the understanding and deduction of Zorotaev's works. Based on the above situation, the author makes a bold and tentative analysis of Sonata 2 from the aspects of musical Noumenon and performance skills, and interprets the understanding and understanding of the work from the perspective of a performer. This paper makes a comprehensive and multi-level stereoscopic analysis of music ontology and performance skills. Through the comprehensive analysis of the works, the author puts forward several personal suggestions and performance methods in the aspects of performance skills and emotional grasp. At the same time, the author excavates the intrinsic value of the works deeply. To promote the understanding and understanding of this musical work, to provide reference for the performer to understand and grasp the work.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614;J624.3

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