论佛教丛林制度与佛教音乐风格区的相互关系

发布时间：2018-08-29 10:16

【摘要】：中国佛教音乐的南北分野及交融问题自古代一直沿袭下来;清末民初以降,还作为一条红线或纽带,贯穿于整个20世纪的佛乐变迁发展过程。要想正确地认识这一过程,便有必要论及佛教寺院的丛林制度及其对之产生的重要影响。由于十方丛林与子孙丛林分别采取了跨地域性的和地域性的两种不同的文化传播和交流途径,代表了两种完全不同的文化传播观念。即使在一百多年前的清末民初时期,二者在传播和分布的广度以及影响力的深度上,都完全不可同日而语。从其中的十方丛林来看,当时的南派佛教声韵已经在全国各地流传开来,在北方丛林中也已经占有了重要的一席之地;而各种地域性的寺院音乐风格类型,也以不同的子孙丛林为聚集地,得以不同程度的保存和发挥其功能作用。还值得注意的是,数百年来,在藏传佛教、南传佛教等领域,也相继出现了丛林制度的身影,其整个寺院音乐风格格局也随之而有较大的改变。对于这个在不同佛教文化区域中出现的"十方丛林"化的趋同性时代潮流特征,学术界应该给予相应的重视和对之展开进一步的研究。
[Abstract]:The problem of the separation and blending between the north and the south of Chinese Buddhist music has been inherited from ancient times, and the fall of the late Qing Dynasty and the beginning of the Republic of China, as a red line or tie, runs through the development process of the changes of Buddhist music throughout the 20th century. In order to understand this process correctly, it is necessary to discuss the jungle system of Buddhist monasteries and its important influence on it. Due to the fact that two different ways of cultural communication and communication are adopted by the forests of the ten directions and the descendants of the forest, they represent two completely different ideas of cultural communication. Even in the late Qing Dynasty and the early Republic of China more than 100 years ago, the two were completely different in the breadth of dissemination and distribution and the depth of influence. From the perspective of the 10-side jungle, the sound and rhyme of Southern Buddhism had spread all over the country and occupied an important place in the northern jungle; and all kinds of regional temple music styles, Also, different descendants of the jungle as a gathering place, to different degrees of conservation and play its role. It is also worth noting that in the past hundreds of years, in Tibetan Buddhism, southern Buddhism and other fields, there have been the shadow of the jungle system, and its monastery music style pattern has changed greatly. The academic circles should pay attention to the trend characteristic of the convergent times of "Ten Fangfang Jungle" in different Buddhist culture regions, and carry out further research on it.
【作者单位】：中央音乐学院音乐学系;
【基金】：中华人民共和国教育部人文社会科学重点研究基地2003年度重大课题项目“中国少数民族宗教音乐研究”(项目编号:03JAZJD760005)阶段性成果之一
【分类号】：J608

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