清代北京藏传佛教的道歌演唱与艺僧制度——兼论三世章嘉活佛对传承传播蒙藏佛教乐舞的贡献

发布时间：2018-09-09 19:01

【摘要】：一般认为,佛教大约于13世纪前后传入蒙古地区,但一直到16世纪中叶以后,蒙古地区依附于中原的清宫满族朝廷,藏传佛教音乐始真正在蒙古地区得到传播,并逐渐站稳脚跟。在此过程中,历代章嘉国师及章嘉活佛系统凭借其在北方藏传佛教界的统领地位、大量的佛教仪式乐舞表演和建立乐僧培养机制等相关实践活动,对于藏传佛教乐舞在北京及蒙古地区的传承传播起到了至关重要的作用。本文通过对史籍中有关三世章嘉活佛的道歌演唱、培养艺僧和组织、统管节庆仪式乐舞表演等事迹的相关记载进行梳理,以图对上述佛教音乐文化领域的研究提供一个鲜活的个案实例。
[Abstract]:It is generally believed that Buddhism was introduced into Mongolia around the 13th century, but it was not until the middle of the 16th century that Mongolia was attached to the Manchu court of the Central Plains, and Tibetan Buddhist music was really spread in Mongolia. And gradually stand firm. In the course of this process, Zhang Jia Guoshi and Zhang Jia living Buddha system in the past dynasties, with their leading position in the Tibetan Buddhism circles in the north, a large number of Buddhist ritual music and dance performances and the establishment of music and monk cultivation mechanism and other related practical activities. Tibetan Buddhist music and dance in Beijing and Mongolia play a vital role in the transmission of heritage. This paper combs the relevant records of the historical books about the Taoist songs of the three living Buddhas, the cultivation of artistic monks and organizations, and the control of the performances of festivals, rituals, dances, etc. In order to provide a fresh case study of the above research in the field of Buddhist music and culture.
【作者单位】：中央音乐学院;教育部人文社科重点研究基地中央音乐学院音乐研究所;
【基金】：教育部人文社会科学重点研究基地2003年度重大课题项目(批准号:03JAZJD760005)
【分类号】：J608;B949

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