《内蒙古民歌主题小曲七首》研究

发布时间：2018-09-17 09:41

【摘要】： 作曲家桑桐(1923—)的《内蒙古民歌主题小曲七首》是以内蒙古东部地区的蒙古族民歌作为音乐材料创作而成的钢琴作品,以《悼歌》、《友情》、《思乡》、《草原情歌》、《孩子们的舞蹈》、《哀思》及《舞曲》等七首小曲组成。七首钢琴小曲的主题音调来自于《丁克尔扎布》、《塞很》、《满冻通拉格》、《回家乡》、《兴安岭》、《小情人》、《丁郎彬》、《崩博莱》、《思乡》、《莫德格昂嘎》等十首内蒙古蒙古族民歌的旋律。《内蒙古民歌主题小曲七首》中的七首钢琴作品不仅保留了原蒙古族民歌的风格特点,并且通过钢琴音乐的表现手法为蒙古族民歌旋律赋予了新的色彩。在本论文当中,主要从《内蒙民歌主题小曲七首》的主题来源和创作技法等两个方面进行分析,在此基础上,阐释此作品所产生的影响以及作品的创作意义。首先,《内蒙民歌主题小曲七首》中的七首钢琴小曲都是以内蒙古蒙古族民歌的旋律作为音乐材料创作而成,所以在论文的第一章中,对此作品中所运用到的蒙古族民歌的形态特征、歌词内容等方面进行分析与论述,从而研究作者在改编后的钢琴作品中怎样体现原民歌的思想感情。笔者根据改编后的七首小曲所表达的内容分为:表达思念家乡亲人的小曲——《悼歌》、《思乡》、《哀思》;歌颂友情与爱情的小曲——《友情》与《草原情歌》;描写舞蹈场面的小曲——《孩子们的舞蹈》与《舞曲》等三个部分,分别进行分析。其次,在本论文的第二章当中主要从作曲理论的角度,对《内蒙古民歌主题小曲七首》中的每一首小曲所运用的作曲技法进行了分析与论述。七首小曲在速度、调式等方面依然保留了原民歌旋律原本的速度和调式特点;在和声手法方面,结合了三度叠置与非三度叠置的和弦结构
[Abstract]:Composer Sang Tong (1923-) "Seven Folk songs in Inner Mongolia" is a piano composition composed of Mongolian folk songs from the eastern part of Inner Mongolia. It is composed of seven pieces: mourning songs, Friendship, homesickness, Prairie Love songs, Children's Dance, mourning and Dance. The theme tones of the seven piano melodies come from the following ten Inner Mongolian folk songs: < Dinkelzab >, < Saido >, < Manjingtong Lagar >, < returning to his hometown >, < Xing'anling >, < Little Lovers >, < Ding Langbin >, < Bumbolai >, < homesickness >, < Modeguaga > and other ten Inner Mongolian folk songs. The seven piano works in Inner Mongolia Folk Song theme minor songs not only retain the style characteristics of the original Mongolian folk songs, And through the expression of piano music for the Mongolian folk melody to give a new color. In this paper, mainly from the "Inner Mongolia folk song theme seven" theme source and creative techniques and other two aspects of analysis, on the basis of this, explain the impact of this work and the significance of the creation of the work. First of all, the seven piano songs in the "Inner Mongolian Folk songs theme" are all composed of the melody of the Inner Mongolian folk songs as musical materials, so in the first chapter of the thesis, This paper analyzes and discusses the features of the Mongolian folk songs and the contents of the lyrics, so as to study how to embody the original folk songs' thoughts and feelings in the adapted piano works. According to the adaptation of the seven songs expressed in the contents of: small songs to express their thoughts about their hometown relatives-< mourning songs >, < homesickness >, < mourning >; singing friendship and love songs-< friendship > and grassland love songs; describing dance The small music of the scene "Dance of the Children" and "Dance" are three parts, Analysis was carried out respectively. Secondly, in the second chapter of this paper, from the angle of composition theory, the author analyzes and discusses the composition techniques used in each of the seven minor songs on the theme of Inner Mongolia Folk songs. Seven minor songs still retain the original speed and mode characteristics of the original folk song melody in terms of speed and mode. In terms of harmony techniques, the chord structure of triple superposition and non-triple overlap is combined.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614

【相似文献】