奥尔夫教学法在器乐集体课教学中的应用
[Abstract]:The traditional instrumental music teaching takes the teacher and apprentice as the main form, it has many obvious advantages, but also has a lot of unscientific tendency. The popularity of instrumental music in China in the past twenty years has greatly promoted the popularization of music and trained a large number of music reserve talents. But there are also many misunderstandings and drawbacks. Today, when quality education is advocated, instrumental music teaching should also be people-oriented, focus on cultivating students' comprehensive ability, change the single, boring teaching method, and choose a teaching method suitable for the needs and development of students. Pioneered by Karl Orff,1895-1982, a famous composer and educator of children's music in contemporary Germany, Orf's music teaching and teaching system, which was inherited and developed by many experts, is characterized by "original music". Following the laws of children's physical and mental development, according to the children's cognitive characteristics, according to the children's ability to accept, starting from recitation into rhythm teaching, combined with physical movements to carry out rhythm training, using percussion instruments to train children's performance ability and creative ability, Children are trained in various forms and means such as games, performance, atlas appreciation, language recitation, musical stories, musical instruments, rhythmic footstones, art and dance, music composition, etc. Become the world recognized as an excellent music teaching method. Through extensive study and in-depth theoretical research, the author integrates Orff and other excellent music teaching methods into the collective teaching of instrumental music, aiming at the disadvantages of traditional instrumental music teaching and amateur instrumental music teaching. A large number of teaching experiments have been carried out, and good teaching results have been obtained, and some effective concrete operation methods have been summarized, which have achieved the expected research purpose. Also for further systematic study of instrumental teaching methods accumulated lessons and materials. The main body of this paper is divided into two parts. In the first part, Orff teaching method and other excellent music teaching methods are described concisely and concisely. In the second part, under the background of analyzing the present situation of instrumental music teaching and summarizing the native application of Orff's teaching method, the author emphatically introduces the preparation, implementation and effect of the teaching experiment of instrumental music collective class carried out by the author. Including music theory learning, rhythm training, listening training, skill training, music expression training, creativity training and other comprehensive quality training and other effective teaching programs and lesson examples. In the concluding part of the article, through the reflection on the implementation process and experimental results of the class examples, the author puts forward that "integrating various excellent musical teaching methods into instrumental music teaching", "teaching methods should be adapted to the needs and development of students", New teaching methods and traditional teaching methods should be applied to each other.
【学位授予单位】:西北师范大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:J62-4
【相似文献】
相关期刊论文 前10条
1 尚志华;;运用奥尔夫教学法培养学生的音乐素质[J];北方文学(下半月);2010年02期
2 周凤武;;论钢琴集体课的复式教学[J];滁州学院学报;2011年03期
3 张鸽;;幼师数码钢琴集体课教学初探[J];华章;2011年15期
4 赵艳;;高师数码钢琴集体课教学范式探微[J];青年文学家;2011年08期
5 吴琴;;关于古筝集体课中技术教学的探索与实践[J];艺术评论;2011年08期
6 孙钰;;奥尔夫教育体系在钢琴教学中的应用[J];边疆经济与文化;2011年07期
7 郑重;;音乐教学模式的主旋律——创造[J];音乐天地;2011年06期
8 徐晓静;;怎样借鉴外国音乐教学法[J];职业;2011年21期
9 孙丕玉;;中职学校如何进行钢琴集体备课[J];文教资料;2011年21期
10 文春琴;;中职学校学前教育声乐集体课教学之我见[J];新课程(教育学术);2011年07期
相关重要报纸文章 前10条
1 孙静;奥尔夫教学法[N];音乐周报;2009年
2 李爱玲 确山县第一初级中学;奥尔夫音乐教学法在初中音乐课上的探索和实践[N];驻马店日报;2010年
3 杨巧云;新乐器培养复合型人才[N];音乐周报;2003年
4 张萌;今年补习奥尔夫[N];音乐周报;2002年
5 韶关市和平小学 宾文义;音乐教学中的参与与体验[N];韶关日报;2005年
6 ;新音乐课程漫谈(三)[N];音乐周报;2002年
7 李君;啦啦队与“Orff音乐”[N];音乐周报;2002年
8 姜美玲;从多元智能到因材施教[N];中国教育报;2003年
9 广西桂林民族师范学校 李君;对农村“未来教师”音乐学习的调查[N];音乐周报;2000年
10 张萌;奥尔夫师资培训班结业[N];音乐周报;2004年
相关硕士学位论文 前10条
1 王汇涓;奥尔夫教学法在器乐集体课教学中的应用[D];西北师范大学;2005年
2 王姝蓉;奥尔夫教学法在小学音乐教学中的运用研究[D];天津音乐学院;2012年
3 夏敏;对话教学在中师数码钢琴集体课中的应用探微[D];山东师范大学;2007年
4 邹波;新课程理念指导下的数码钢琴集体课教学研究[D];山东师范大学;2006年
5 李署红;高师数码钢琴集体课教学研究[D];湖南师范大学;2005年
6 陈瑶;社会转型期我国中小学生音乐表现能力现状及策略研究[D];湖南师范大学;2011年
7 张黎莎;集体课与个别课结合的教学模式在少儿古筝教学中的应用[D];武汉音乐学院;2010年
8 徐帆;几种音乐教学法在儿童钢琴启蒙教学中的应用研究[D];河南大学;2011年
9 韩丽枫;小学唱歌教学探究[D];内蒙古师范大学;2011年
10 马凌;“1+1”古筝基础教学法研究[D];南京艺术学院;2011年
,本文编号:2248139
本文链接:https://www.wllwen.com/wenyilunwen/qiyueyz/2248139.html