山东博山正觉寺佛事音乐研究
发布时间：2018-09-19 17:50
【摘要】：佛教文化自两汉时期从印度传入中国,至今已有两千多年的历史。虽历经风雨,但目前仍在全国各地完整地保存了佛教各主要派系及其法事音乐,而也正是这些派系及法事音乐的留存发展,使得中国佛教音乐成为中国传统音乐中一笔宝贵的文化遗产。山东地区作为中国佛教文化兴盛之地,有着悠久的佛教文化历史,佛教音乐作为佛教文化的主要传播手段,是佛教文化重要的组成部分,因此研究佛教音乐对丰富发展山东地区佛教文化以及山东地区传统音乐有着重要的价值意义。笔者以山东博山正觉寺佛事音乐作为本篇论文的研究对象,其目的在于明确佛教音乐对于发展山东地区传统音乐的重要性,从而进一步阐述山东地区佛教音乐研究及再发展的重要意义。 本篇论文共分为三章进行写作,第一章为中国佛教与佛教音乐,其中包括中国佛教的历史沿革、中国汉传佛教音乐的历史沿革以及山东佛教音乐三个部分,论证了包括音乐在内的佛教文化在中国两千多年的历史传承中逐步形成具有中国特色的佛教文化以及对中国传统文化的深远影响。第二章以博山正觉寺佛事音乐研究为主要内容,对博山正觉寺佛教文化、寺院佛事音乐曲谱以及佛事音乐本体进行了深入研究。通过走访博山正觉寺,笔者对其所用仪式音乐进行了采集、整理与记谱,同时对所记曲谱进行了音乐本体上的分析,分别从音乐的旋律特征、调式特征及结构特征进行了论述。第三章为博山正觉寺佛事音乐中的“传统性”与“世俗性”,其中“传统性”的存在一方面源于佛教教义的需要,另一方面受传统佛教仪式活动的影响。而音乐中的“世俗性”则源于佛教音乐传入中国之初受中国民间音乐的影响而存在,佛教音乐中的“世俗性”为佛教文化的传播提供了条件。 笔者认为,当下对中国佛教音乐的研究与发展是中国传统音乐研究工作中的的当务之急。本篇论文的写作意义,目的在于明确发展佛教音乐是传播佛教文化的重要手段,是推动山东佛教文化再发展的重要动力,是构建中国传统音乐的重要组成部分。
[Abstract]:Buddhist culture has been introduced into China from India since the Han Dynasty, and has a history of more than two thousand years. Despite the hardships and hardships, the major Buddhist factions and their legalistic music have been preserved in all parts of the country, and it is precisely these factions and their legalistic music that have survived and developed. Chinese Buddhist music has become a valuable cultural heritage in Chinese traditional music. As the place where Chinese Buddhist culture flourishes, Shandong has a long history of Buddhist culture. Buddhist music, as the main means of spreading Buddhist culture, is an important part of Buddhist culture. Therefore, the study of Buddhist music is of great value in enriching and developing Buddhist culture in Shandong and traditional music in Shandong. The author takes the music of the Buddhist temple in Boshan as the object of this paper, the purpose of which is to clarify the importance of Buddhist music to the development of traditional music in Shandong. Further elaborated Shandong area Buddhism music research and the important significance of the development. The first chapter is about Chinese Buddhism and Buddhist music, including the historical evolution of Chinese Buddhism, the historical evolution of Chinese Han Buddhist music and Shandong Buddhist music. This paper demonstrates that the Buddhist culture including music has gradually formed the Buddhist culture with Chinese characteristics and its profound influence on the Chinese traditional culture in the course of more than two thousand years of historical inheritance in China. The second chapter takes the music research of Boshan Zhengjue Temple as the main content, and deeply studies the Buddhist culture, the music composition and the Buddhist music Noumenon of the Boshan Zhengjue Temple. By visiting Zhengjiao Temple in Boshan, the author collects, arranges and records the ritual music used in it, and analyzes the music composition on the music itself, and discusses the melody characteristics, modulation characteristics and structural characteristics of the music respectively. The third chapter is the "tradition" and "secular" in the music of Boshan Zhengjing Temple, in which the existence of "tradition" originates from the need of Buddhism doctrine and is influenced by the traditional Buddhist ritual activities on the other hand. The "secular nature" in music originated from the influence of Chinese folk music at the beginning of the introduction of Buddhist music to China, and the "secular nature" in Buddhist music provided the conditions for the spread of Buddhist culture. The author believes that the current research and development of Chinese Buddhist music is an urgent task in the research of Chinese traditional music. The purpose of this thesis is to make it clear that the development of Buddhist music is an important means to spread Buddhist culture, an important driving force to promote the re-development of Buddhist culture in Shandong Province, and an important part of the construction of Chinese traditional music.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J608
本文编号：2250881
[Abstract]:Buddhist culture has been introduced into China from India since the Han Dynasty, and has a history of more than two thousand years. Despite the hardships and hardships, the major Buddhist factions and their legalistic music have been preserved in all parts of the country, and it is precisely these factions and their legalistic music that have survived and developed. Chinese Buddhist music has become a valuable cultural heritage in Chinese traditional music. As the place where Chinese Buddhist culture flourishes, Shandong has a long history of Buddhist culture. Buddhist music, as the main means of spreading Buddhist culture, is an important part of Buddhist culture. Therefore, the study of Buddhist music is of great value in enriching and developing Buddhist culture in Shandong and traditional music in Shandong. The author takes the music of the Buddhist temple in Boshan as the object of this paper, the purpose of which is to clarify the importance of Buddhist music to the development of traditional music in Shandong. Further elaborated Shandong area Buddhism music research and the important significance of the development. The first chapter is about Chinese Buddhism and Buddhist music, including the historical evolution of Chinese Buddhism, the historical evolution of Chinese Han Buddhist music and Shandong Buddhist music. This paper demonstrates that the Buddhist culture including music has gradually formed the Buddhist culture with Chinese characteristics and its profound influence on the Chinese traditional culture in the course of more than two thousand years of historical inheritance in China. The second chapter takes the music research of Boshan Zhengjue Temple as the main content, and deeply studies the Buddhist culture, the music composition and the Buddhist music Noumenon of the Boshan Zhengjue Temple. By visiting Zhengjiao Temple in Boshan, the author collects, arranges and records the ritual music used in it, and analyzes the music composition on the music itself, and discusses the melody characteristics, modulation characteristics and structural characteristics of the music respectively. The third chapter is the "tradition" and "secular" in the music of Boshan Zhengjing Temple, in which the existence of "tradition" originates from the need of Buddhism doctrine and is influenced by the traditional Buddhist ritual activities on the other hand. The "secular nature" in music originated from the influence of Chinese folk music at the beginning of the introduction of Buddhist music to China, and the "secular nature" in Buddhist music provided the conditions for the spread of Buddhist culture. The author believes that the current research and development of Chinese Buddhist music is an urgent task in the research of Chinese traditional music. The purpose of this thesis is to make it clear that the development of Buddhist music is an important means to spread Buddhist culture, an important driving force to promote the re-development of Buddhist culture in Shandong Province, and an important part of the construction of Chinese traditional music.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J608
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