临沂民歌演唱风格探析
发布时间：2018-10-05 19:21
【摘要】：鲁东南临沂地区的民间歌曲是极其丰富多彩的，，在各县流传着许许多多不同题材、不同形式、不同风格的民歌。本文重点对山东临沂地区民歌的演唱风格进行探讨，这对今后进一步研究临沂民歌乃至整个山东地区的民间音乐都是十分有益的。 全文共分为四大部分： 第一部分：临沂民歌的文化背景。一个地方民歌的产生是有多方面复杂因素的影响而产生的。这部分主要从影响临沂民歌产生和发展的三个主要因素来分析论述。即：历史、地理、人文等三个方面，从而使我们对临沂民歌风格形成的背景因素有一个大致的了解。 第二部分：对临沂民歌的类型特征进行概述。由于临沂民歌的数量很多，本文首先把临沂民歌按照体裁进行了分类，然后逐类分述。由于临沂民歌中的小调最能代表临沂民歌风格的总体特征，因此，本章重点对临沂民歌的小调从两个主要方面进行了详细的介绍。一、按照词曲结合上所体现的风貌特色把临沂民歌小调的风格分为：(一)强悍粗犷的；(二)抒情优美的；(三)欢快活跃的；(四)幽默风趣的等几种风格。从中我们可以看出民歌与人民生活的关系。二、分析临沂民歌的旋律形态。 第三部分：临沂民歌的演唱特征。笔者首先介绍了临沂民歌演唱的地方色彩。当然我们要想把握好一个地方民歌的演唱特征，除了要了解民歌演唱的地方色彩，还应该学习当地民歌的演唱方法。为此笔者亲自采访了临沂地区最具有代表性的民歌手，从歌唱的呼吸、歌唱的发声、歌唱的共鸣、咬字吐字四个方面了解他们演唱的方法。接着又以谱例的形式对临沂地区民歌的特色唱法进行了概括总结，主要有下列特色唱法：高腔唱法、颤音唱法、滑音唱法、断腔唱法、衬字唱法等。 第四部分：临沂民歌的传承与发展。内容丰富的临沂民歌，在它的产生、流传和演变过程中，吸纳、消融和积淀了丰厚的临沂地方文化。可以说，临沂民歌既是一种艺术形式，也是一种文化象征。因此，本文从临沂民歌的语言文化价值和历史文化价值两个方面探讨了保护临沂民歌的重要意义。第二节论述了临沂民歌传唱的现状。随着社会生产的发展，交通的便利和信息的传播，以及经济和
[Abstract]:The folk songs in Linyi area of southeast Shandong are extremely colorful, and there are many folk songs with different themes, different forms and different styles in various counties. This paper mainly discusses the singing style of folk songs in Linyi area of Shandong Province, which is very helpful to further study the folk songs in Linyi area and even the folk music in Shandong area. The thesis is divided into four parts: the first part: the cultural background of Linyi folk songs. The production of a local folk song is influenced by many complicated factors. This part mainly from the Linyi folk song generation and development of the three main factors to analyze and discuss. Namely: history, geography, humanities and other three aspects, so that we have a general understanding of the background factors of the formation of Linyi folk song style. The second part: summarizes the type characteristics of Linyi folk songs. Due to the large number of Linyi folk songs, this paper first classifies Linyi folk songs according to genre, and then classifies them into categories. Because the minor of Linyi folk song can best represent the overall characteristics of Linyi folk song style, this chapter focuses on Linyi folk song minor from two main aspects of the detailed introduction. First, according to the style and features embodied in the combination of songs and songs, Linyi folk song minor style can be divided into: (1) tough and rough; (2) lyrical; (3) cheerful and active; (4) humorous and witty. From it we can see the relationship between folk songs and people's life. Second, analyze the melody form of Linyi folk song. The third part: the singing characteristics of Linyi folk songs. The author first introduces the local color of Linyi folk songs. Of course, if we want to grasp the singing characteristics of a local folk song, we should not only understand the local color of the folk song, but also learn the singing method of the local folk song. Therefore, the author personally interviewed the most representative folk singers in Linyi area, and understood their singing methods from the aspects of singing breath, singing voice, singing resonance and spelling. Then the paper sums up the characteristic singing method of Linyi area by taking the form of spectrum example, which includes the following characteristics: high-cavity singing, tremolo singing, slide singing, broken-cavity singing, lining singing and so on. The fourth part: the inheritance and development of Linyi folk songs. Linyi folk songs, which are rich in content, absorb, melt and accumulate rich local culture in the process of its emergence, dissemination and evolution. It can be said that Linyi folk song is not only an art form, but also a cultural symbol. Therefore, this paper discusses the significance of protecting Linyi folk songs from two aspects: the linguistic and cultural values and the historical and cultural values of Linyi folk songs. The second section discusses the current situation of Linyi folk songs. With the development of social production, the facilitation of transportation and the dissemination of information, as well as the economic and
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616
本文编号：2254573
[Abstract]:The folk songs in Linyi area of southeast Shandong are extremely colorful, and there are many folk songs with different themes, different forms and different styles in various counties. This paper mainly discusses the singing style of folk songs in Linyi area of Shandong Province, which is very helpful to further study the folk songs in Linyi area and even the folk music in Shandong area. The thesis is divided into four parts: the first part: the cultural background of Linyi folk songs. The production of a local folk song is influenced by many complicated factors. This part mainly from the Linyi folk song generation and development of the three main factors to analyze and discuss. Namely: history, geography, humanities and other three aspects, so that we have a general understanding of the background factors of the formation of Linyi folk song style. The second part: summarizes the type characteristics of Linyi folk songs. Due to the large number of Linyi folk songs, this paper first classifies Linyi folk songs according to genre, and then classifies them into categories. Because the minor of Linyi folk song can best represent the overall characteristics of Linyi folk song style, this chapter focuses on Linyi folk song minor from two main aspects of the detailed introduction. First, according to the style and features embodied in the combination of songs and songs, Linyi folk song minor style can be divided into: (1) tough and rough; (2) lyrical; (3) cheerful and active; (4) humorous and witty. From it we can see the relationship between folk songs and people's life. Second, analyze the melody form of Linyi folk song. The third part: the singing characteristics of Linyi folk songs. The author first introduces the local color of Linyi folk songs. Of course, if we want to grasp the singing characteristics of a local folk song, we should not only understand the local color of the folk song, but also learn the singing method of the local folk song. Therefore, the author personally interviewed the most representative folk singers in Linyi area, and understood their singing methods from the aspects of singing breath, singing voice, singing resonance and spelling. Then the paper sums up the characteristic singing method of Linyi area by taking the form of spectrum example, which includes the following characteristics: high-cavity singing, tremolo singing, slide singing, broken-cavity singing, lining singing and so on. The fourth part: the inheritance and development of Linyi folk songs. Linyi folk songs, which are rich in content, absorb, melt and accumulate rich local culture in the process of its emergence, dissemination and evolution. It can be said that Linyi folk song is not only an art form, but also a cultural symbol. Therefore, this paper discusses the significance of protecting Linyi folk songs from two aspects: the linguistic and cultural values and the historical and cultural values of Linyi folk songs. The second section discusses the current situation of Linyi folk songs. With the development of social production, the facilitation of transportation and the dissemination of information, as well as the economic and
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616
【共引文献】
相关期刊论文 前1条
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1 单林;稻作文化之谷[D];上海音乐学院;2007年
相关硕士学位论文 前8条
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8 刘晨燃;菏泽地区民歌曲调与演唱风格研究[D];山东师范大学;2008年
本文编号：2254573
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