论戏曲音乐的第三次大变革

发布时间：2018-10-10 12:17

【摘要】： 戏曲音乐从宋代至今历经了三次历史性的重大变革。梆子腔、皮黄腔的盛行及其后地方百戏的兴起,形成了戏曲音乐的前两次大变革。本文拟论述的戏曲音乐第三次大变革,指的是1949年以来,戏曲音乐创作及理论研究所取得的空前繁荣和迅猛发展。在短短几十年内,戏曲音乐完成了由民间性业余创作向专业性创作阶段的过渡,摆脱了类型性袭用的传统,加强了音乐的典型性,并最终实现由“劳动密集型、经验密集型”向“技术密集型、理论密集型”的重大转变。同时,理论建设也得到高度重视和迅速发展,研究队伍逐渐壮大,取得了丰硕的理论研究成果。本文运用音乐历史学、形态学、比较学及文献学的研究方法,给予戏曲音乐第三次大变革较为系统、客观的认识与梳理,并分别从第三次大变革的发展及历史分期,现代戏音乐创作的历史经验,新歌剧与现代戏音乐的比较研究,以及理论研究的概况等方面来进行阐述。通过本文的论证,以期能从历史的经验教训与得失中探索一条戏曲音乐可资借鉴的发展道路。
[Abstract]:Opera music has undergone three historic and important changes since the Song Dynasty. Bangzi Opera, the prevalence of Pihuang Opera and the rise of local hundred operas, formed the first two major changes in opera music. The third great change of opera music, which is discussed in this paper, refers to the unprecedented prosperity and rapid development of opera music creation and theoretical research since 1949. In just a few decades, the opera music has completed the transition from the folk amateur creation to the specialized creation stage, has got rid of the typology tradition, has strengthened the music typicality, and has finally realized by the "labor intensive", A major shift from experience-intensive to technology-intensive and theoretical-intensive. At the same time, the theoretical construction has been attached great importance and developed rapidly. Using the research methods of music history, morphology, comparison and philology, this paper gives the third great change of opera music a systematic, objective understanding and combing, respectively from the development and historical stages of the third great change. The historical experience of modern opera music creation, the comparative study of new opera and modern opera music, and the general situation of theoretical research are expounded. Through the argumentation of this paper, we hope to explore a way of development of opera music from the historical experience, lessons, gains and losses.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J617

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