坤道与道教音乐的田野调查与研究
发布时间:2018-10-16 13:42
【摘要】:本文大致从以下几个方面加以论述: 绪论部分,主要是对本文的研究对象和研究范围作说明,并回顾、总结与课题相关的研究成果,如道教、道教音乐、社会性别、女性与宗教、女性与道教等;阐述课题的理论意义和实践意义。 第一部分,从纵向上对坤道的发展历程作概略性的叙述,并通过田野调查和个案分析,对当代坤道的现状、参与道教活动的实际情况等进行考察,勾勒出其大体的发展轨迹。 第二部分,坤道对道教音乐的影响。首先,阐明坤道如何对道教音乐产生影响,主要从性别差异角度来说明这一问题。其次,分析了坤道对道教音乐产生的具体影响。 第三部分,道教仪式是道教音乐的载体,也是坤道进行道教音乐表演的平台。这一部分通过分析坤道参与的道教仪式案例及其音乐,来具体说明坤道所用道教音乐的特点。以进一步说明坤道对道教音乐所产生的影响。 第四部分,对坤道角色的意义进行阐释。首先,对坤道的角色进行分析,认为其角色具有双重性,即女性的性别角色和宗教神职人员的社会角色。然后,从坤道角色对其自身、对信众、对道教等方面,对坤道角色的意义进行阐释。
[Abstract]:This article is discussed from the following aspects: the introduction part, mainly explains the research object and scope of this paper, and reviews, summarizes the related research results, such as Taoism, Taoist music, social gender, Women and religion, women and Taoism, etc. In the first part, the author makes a brief description of the development of Kun Dao from a longitudinal perspective, and through field investigation and case analysis, investigates the present situation of Kun Dao and the actual situation of its participation in Taoist activities, and outlines its general development track. The second part, the influence of Kun Tao on Taoist music. First of all, explain how Kun Dao influences Taoist music, mainly from the angle of gender difference. Secondly, it analyzes the concrete influence of Kun Dao on Taoist music. In the third part, Taoist ritual is the carrier of Taoist music and the platform for performing Taoist music. This part explains the characteristics of Taoist music used by Kun Tao by analyzing the Taoist ritual and its music. To further illustrate the impact of Kun Tao on Taoist music. The fourth part explains the significance of the role of Kun Tao. Firstly, the author analyzes the roles of Kun Tao and thinks that their roles are dual, that is, the gender roles of women and the social roles of religious clergy. Then, the meaning of the role of Kun Tao is explained from the following aspects: the role of Kun Tao to itself, to the followers, to Taoism and so on.
【学位授予单位】:浙江师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J608
本文编号:2274541
[Abstract]:This article is discussed from the following aspects: the introduction part, mainly explains the research object and scope of this paper, and reviews, summarizes the related research results, such as Taoism, Taoist music, social gender, Women and religion, women and Taoism, etc. In the first part, the author makes a brief description of the development of Kun Dao from a longitudinal perspective, and through field investigation and case analysis, investigates the present situation of Kun Dao and the actual situation of its participation in Taoist activities, and outlines its general development track. The second part, the influence of Kun Tao on Taoist music. First of all, explain how Kun Dao influences Taoist music, mainly from the angle of gender difference. Secondly, it analyzes the concrete influence of Kun Dao on Taoist music. In the third part, Taoist ritual is the carrier of Taoist music and the platform for performing Taoist music. This part explains the characteristics of Taoist music used by Kun Tao by analyzing the Taoist ritual and its music. To further illustrate the impact of Kun Tao on Taoist music. The fourth part explains the significance of the role of Kun Tao. Firstly, the author analyzes the roles of Kun Tao and thinks that their roles are dual, that is, the gender roles of women and the social roles of religious clergy. Then, the meaning of the role of Kun Tao is explained from the following aspects: the role of Kun Tao to itself, to the followers, to Taoism and so on.
【学位授予单位】:浙江师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J608
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