唐山皮影戏及其音乐的田野调查与研究
发布时间：2018-10-22 08:52
【摘要】： 本文以唐山地区皮影戏及其音乐为探讨对象,通过对唐山民间皮影团及当地皮影艺人的田野考察和实地采访,力图将研究视野放置于此种民间艺术形式的承载者——皮影艺人身上,通过对皮影艺人及其皮影戏艺术在不同社会人文环境中的生存状态的探讨,来揭示这一艺术形式生存、发展的历史状况;通过对皮影艺术之腔词关系的探讨,努力揭示民间音乐艺术“依字行腔”的形态特征以及通过对伴奏与唱腔在表演当中的互动关系的探讨,来说明皮影艺人的音乐建构的方式;通过对民间皮影团的构成与生存方式的探讨,尽可能完整地呈现此种民间音乐形式的构成规则以及草根社会中的生存特征及其在当代政治、经济、文化环境中的命运。 全文由引言、正文和结语三个部分构成,正文又分为三章: 第一章主要探讨了唐山皮影戏的起源,分阶段介绍了唐山皮影戏及皮影艺人从宋代到当前的历史过程。 第二章是从音乐形态学、语言学的双重视角,论述唐山皮影戏“依字行腔”的唱腔特点,通过腔词之间关系问题的探讨,观照“依字行腔”的特点在唱腔中的体现,进而探讨了表演中伴奏与唱腔的两种不同的结合方式。 第三章通过田野资料,对唐山玉田县皮影团进行个案研究,描述了民间皮影剧团的组织构成及其在当代社会文化环境中的生存状态。
[Abstract]:This article takes the shadow play and its music in Tangshan area as the research object, through the field investigation and the field interview to the Tangshan folk shadow group and the local shadow artist. Try to put the research field of vision on the bearer of this folk art form, the shadow artist, through the discussion of the shadow artist and its shadow art in different social and human environment, to reveal the survival of this art form. The historical situation of development, through the discussion of the relationship between the Phantom Art and the Song ci, the paper tries to reveal the morphological characteristics of folk music art "according to the word line" and the interactive relationship between accompaniment and singing in the performance. To illustrate the way of music construction of shadow artists, through the discussion of the composition and the way of existence of the folk shadow groups, to present as completely as possible the composing rules of this form of folk music, as well as the characteristics of existence in the grassroots society and its contemporary politics. Fate in the economic and cultural environment The text is composed of three parts: introduction, text and conclusion. The text is divided into three chapters: the first chapter mainly discusses the origin of Tangshan shadow play. It introduces the historical process of Tangshan shadow play and shadow artists from Song Dynasty to present stage. The second chapter discusses the singing characteristics of Tangshan shadow play from the perspective of music morphology and linguistics. Through the discussion of the relationship between the colloquial words, the characteristics of "according to the word line" are reflected in the singing. Then it discusses two different ways of combining accompaniment and singing. The third chapter through the field material, carries on the case study to the Tangshan Yutian County shadow film troupe, described the folk shadow drama troupe organization constitution and the survival condition in the contemporary social culture environment.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J827;J617.5
[Abstract]:This article takes the shadow play and its music in Tangshan area as the research object, through the field investigation and the field interview to the Tangshan folk shadow group and the local shadow artist. Try to put the research field of vision on the bearer of this folk art form, the shadow artist, through the discussion of the shadow artist and its shadow art in different social and human environment, to reveal the survival of this art form. The historical situation of development, through the discussion of the relationship between the Phantom Art and the Song ci, the paper tries to reveal the morphological characteristics of folk music art "according to the word line" and the interactive relationship between accompaniment and singing in the performance. To illustrate the way of music construction of shadow artists, through the discussion of the composition and the way of existence of the folk shadow groups, to present as completely as possible the composing rules of this form of folk music, as well as the characteristics of existence in the grassroots society and its contemporary politics. Fate in the economic and cultural environment The text is composed of three parts: introduction, text and conclusion. The text is divided into three chapters: the first chapter mainly discusses the origin of Tangshan shadow play. It introduces the historical process of Tangshan shadow play and shadow artists from Song Dynasty to present stage. The second chapter discusses the singing characteristics of Tangshan shadow play from the perspective of music morphology and linguistics. Through the discussion of the relationship between the colloquial words, the characteristics of "according to the word line" are reflected in the singing. Then it discusses two different ways of combining accompaniment and singing. The third chapter through the field material, carries on the case study to the Tangshan Yutian County shadow film troupe, described the folk shadow drama troupe organization constitution and the survival condition in the contemporary social culture environment.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J827;J617.5
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