论柴科夫斯基交响幻想—序曲《罗密欧与朱丽叶》的和声艺术风采

发布时间：2018-10-22 13:21

【摘要】：《罗密欧与朱丽叶》源自英国文艺复兴时期的戏剧泰斗——莎士比亚的悲剧代表作品。这一文学作品通过描写罗密欧与朱丽叶纯洁真挚的爱情与封建家族世代深仇的激烈对抗,深刻地鞭挞了封建社会的腐朽,宣扬了爱情的崇高与不朽。这部文学巨著曾经打动过许多音乐家根据这一题材进行音乐创作,但是经得起时间考验而不失其艺术价值的作品为数不多,而俄罗斯作曲家柴科夫斯基为乐队而作的幻想-序曲《罗密欧与朱丽叶》却是其中的一部优秀作品。该作品运用不同的音乐主题代表不同的戏剧形象,选取几个具有代表性的戏剧场景,通过音乐主题的呈示、展开与对比,来揭示戏剧的思想内涵。在这部作品中,清晰感人的旋律、强烈的戏剧性、极富表现力的交响性写法和带有浓郁民族风格的和声技法给我们留下了极为深刻的印象,体现了柴科夫斯基对个性化和声技法的探求。本论文以俄罗斯作曲家柴科夫斯基的交响幻想-序曲《罗密欧与朱丽叶》为研究对象,按照总-分-总的结构,从四个方面展开论述: 第一章:柴科夫斯基及其音乐创作,从两个方面作介绍,即:柴科夫斯基生平简述、作家创作环境及时代背景。该章节介绍了作家生平、音乐成就、社会历史文化背景等相关内容。第二章:交响幻想-序曲《罗密欧与朱丽叶》的作品概观,从两个方面论述,即:作品的创作经过及文学原著内容梗概、曲式结构与调性布局分析。该章节主要介绍了作品的创作经过、三次修改稿的比较、戏剧原作的内容梗概、音乐本体的曲式结构划分、曲式结构与调性布局的逻辑关系。这是从宏观角度初次把握作品的概貌。第三章:交响幻想-序曲《罗密欧与朱丽叶》的和声语言特色,从三个方面进行剖析:(一)和声在不同的调式结合中的作用(二)和弦材料及和声语汇(三)和声在主题形象塑造中的作用。该章节举例论述了在作品中所运用的俄罗斯调式与古典传统调式,以及在这样的调式基础上作曲家所运用的个性化的和弦材料与和声进行,探讨了和声对主题形象塑造与音乐思想表达的重要作用,展示了柴科夫斯基既继承传统和民族风格又富于创新精神的和声技法,和作曲家对于完美艺
[Abstract]:Romeo and Juliet: from the English Renaissance Drama, Shakespeare's representative works of tragedy. This literary work describes Romeo and Juliet's pure and sincere love and the fierce confrontation between the feudal family and the deep feud of the feudal family, which deeply lashes the decay of the feudal society and preaches the sublimity and immortality of love. This literary masterpiece has touched many musicians to work on this subject, but few have stood the test of time without losing its artistic value. Russian composer Tchaikovsky's fantasy for the band, the prelude Romeo and Juliet, is one of the best. This work uses different musical themes to represent different dramatic images, selects several representative dramatic scenes, and reveals the ideological connotation of drama through the presentation, development and comparison of musical themes. In this work, the clear and moving melody, the intense drama, the highly expressive symphonic writing method and the harmony technique with strong national style left us with a very deep impression. It reflects Tchaikovsky's exploration of individualized harmony techniques. In this paper, Russian composer Tchaikovsky's symphonic fantasy-prelude "Romeo and Juliet" is taken as the research object. The first chapter: Tchaikovsky and his music creation, the introduction from two aspects, namely: Tchaikovsky's life brief, the writer creation environment and the time background. This chapter introduces the writer's life, musical achievements, social, historical and cultural background and other related content. Chapter two: an overview of symphonic fantasy-prelude Romeo and Juliet, which is discussed from two aspects: the creation of the work and the outline of the original literary content, the structure of the composition and the analysis of the tonal layout. This chapter mainly introduces the creation process of the work, the comparison of the three revisions, the outline of the content of the original play, the structure division of the music ontology, the logical relationship between the musical structure and the tonal layout. This is the first time from a macro perspective to grasp the general picture of the work. Chapter three: harmony language characteristics of symphonic Fantasy-prelude to Romeo and Juliet, It analyzes from three aspects: (1) the function of harmony in the combination of different modes (2) chord material and harmony vocabulary (3) the function of harmony in the shaping of theme image. In this chapter, examples are given of the Russian and classical modes used in the works, as well as the individualized chord materials and harmonies used by composers on the basis of such modes. This paper probes into the important role of harmony in the creation of theme image and the expression of musical thought, and shows Tchaikovsky's harmony technique, which inherits tradition and national style and is full of innovative spirit, and the composer's perfect art.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.1

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