云南少数民族基督教仪式音乐的新变异

发布时间：2018-10-24 14:41

【摘要】：21世纪之交,云南少数民族基督教仪式音乐出现了一些值得关注的新变异现象,例如核心经曲、经腔及表演方式的主流化倾向。一方面,循着传统的惯性,不同族群区域仍然使用本民族文字赞美诗;另一方面,由于基督教会的大力推广,汉文版《新编赞美诗》在不同地区都不同程度获得了应用。另外还有艺术化和旅游化(商业化)的倾向。当地人企图通过将基督教赞美诗作为艺术歌曲参加歌唱比赛和走进电视等途径,以争取进入体制化和主流化领域;借此扩大影响,拓展自己在旅游业中占据的份额。再如日常宗教歌曲的通俗化和音乐表演的包装化。一方面,基本的教理、教义和活动方式仍然保持过去的传统,体现出本土人眼中"西方主义"的文化景观;另一方面,通过与境内外其他教会及社会阶层的直接交流,形成了基督教音乐国际化——流行音乐化的现象。本文结合与以往变异现象的比较,以对该类宗教仪式音乐进行跟踪考察和阐释。
[Abstract]:At the turn of the 21st century, there are some new variations in the Christian ritual music of minority nationalities in Yunnan, such as the mainstream tendency of the core sutras, the canon and the performing style. On the one hand, following the traditional inertia, different ethnic groups still use their own written hymns; on the other hand, due to the vigorous promotion of the Christian Church, the Chinese version of the new hymn has been used in different areas to varying degrees. There is also the tendency of artistry and tourism (commercialization). Local people try to get into the field of institutionalization and mainstreaming by taking Christian hymns as art songs to participate in singing competitions and enter TV, so as to expand their influence and expand their share of tourism. For example, the popularization of daily religious songs and the packaging of musical performances. On the one hand, the basic teachings, doctrines, and ways of activity remain the traditions of the past, reflecting the cultural landscape of "westernism" in the eyes of the natives; on the other hand, through direct communication with other churches and social strata inside and outside the country, The internationalization of Christian music-the phenomenon of pop music. Based on the comparison with the previous variation, this paper explores and interprets this kind of religious ritual music.
【作者单位】：中央音乐学院;
【分类号】：J608

【共引文献】