东北民歌三个审美主体的方向研究
发布时间：2018-11-07 16:38
【摘要】：东北民歌是我国地方民歌的一种，以它独有的审美特征与艺术魅力成为我国民族声乐的瑰宝，自立于中国和世界乐坛。而东北民歌本身，既是一座丰富的艺术宝库，又是一项复杂的系统工程。本文以东北民歌的审美主体为切入点，对其三个审美主体进行了方向研究。全文共分三大部分：第一大部分是东北民歌第一审美主体（词曲作者）的方向研究，包括第一审美主体的艺术地位、第一审美主体的艺术修养、第一审美主体的“一度创作”（又包括把握东北民歌的审美特征、凸显东北民歌的艺术地位、了解东北民歌的艺术成就、表现东北民歌的思想内容、体现东北民歌的艺术形式）。第二大部分是东北民歌第二审美主体（演唱者、伴奏者）的方向研究，又包括第二审美主体的艺术地位、第二审美主体的艺术修养、第二审美主体的“二度创作”（又包括把握东北民歌的流派归属、领悟东北民歌的审美特征、对文本的解读与诠释、对歌曲的全方位创造与多元化创新、东北民歌的器乐伴奏）。第三大部分是东北民歌第三审美主体（受众）的方向研究，包括第三审美主体的概念内涵、第三审美主体的艺术地位、第三审美主体的艺术修养、第三审美主体的“三度创作”（又包括了解东北民歌的音乐语言、把握东北民歌的审美特征、欣赏东北民歌的思想内容、欣赏东北民歌的艺术形式、欣赏过程中的再创造）。 通过三大审美主体的方向研究，建构起一个全方位、系列化、深层次的系统论的理论框架。力求对东北民歌的创新发展，从美学高度上提供理性思辨与艺术实践的双重参照系。
[Abstract]:Northeast folk song is a kind of local folk song in our country. With its unique aesthetic characteristics and artistic charm, it becomes the treasure of Chinese national vocal music and stands on its own in the music world of China and the world. The Northeast folk song itself is not only a rich treasure house of art, but also a complex system engineering. In this paper, the three aesthetic subjects of Northeast folk songs are studied. The thesis is divided into three parts: the first part is the research on the direction of the first aesthetic subject of Northeast folk songs, including the artistic status of the first aesthetic subject, the artistic accomplishment of the first aesthetic subject, The "once creation" of the first aesthetic subject (including grasping the aesthetic characteristics of the Northeast folk songs, highlighting the artistic status of the Northeast Folk songs, understanding the artistic achievements of the Northeast Folk songs, and showing the ideological content of the Northeast Folk songs) Embody the art form of northeast folk song). The second part is the research on the direction of the second aesthetic subject of northeast folk song (singer, accompaniment), including the artistic status of the second aesthetic subject and the artistic accomplishment of the second aesthetic subject. The second creation of the second aesthetic subject (including grasping the school ownership of the Northeast folk songs, understanding the aesthetic characteristics of the Northeast folk songs, interpreting and interpreting the text, creating and diversifying the songs in all directions) Instrumental accompaniment of Northeast Folk songs The third part is the research on the direction of the third aesthetic subject (audience) of the Northeast folk song, including the concept connotation of the third aesthetic subject, the artistic status of the third aesthetic subject, the artistic accomplishment of the third aesthetic subject, The third aesthetic subject's "three creation" (including understanding the music language of Northeast folk songs, grasping the aesthetic characteristics of Northeast Folk songs, appreciating the ideological contents of Northeast Folk songs, appreciating the artistic forms of Northeast Folk songs and re-creating in the process of appreciation). Through the research of the three major aesthetic subjects, a theoretical framework of the omnidirectional, serialized and deep-seated system theory is constructed. Aiming at the innovation and development of folk songs in Northeast China, it provides a dual frame of reference for rational speculation and artistic practice from the aesthetic level.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J607
本文编号：2316938
[Abstract]:Northeast folk song is a kind of local folk song in our country. With its unique aesthetic characteristics and artistic charm, it becomes the treasure of Chinese national vocal music and stands on its own in the music world of China and the world. The Northeast folk song itself is not only a rich treasure house of art, but also a complex system engineering. In this paper, the three aesthetic subjects of Northeast folk songs are studied. The thesis is divided into three parts: the first part is the research on the direction of the first aesthetic subject of Northeast folk songs, including the artistic status of the first aesthetic subject, the artistic accomplishment of the first aesthetic subject, The "once creation" of the first aesthetic subject (including grasping the aesthetic characteristics of the Northeast folk songs, highlighting the artistic status of the Northeast Folk songs, understanding the artistic achievements of the Northeast Folk songs, and showing the ideological content of the Northeast Folk songs) Embody the art form of northeast folk song). The second part is the research on the direction of the second aesthetic subject of northeast folk song (singer, accompaniment), including the artistic status of the second aesthetic subject and the artistic accomplishment of the second aesthetic subject. The second creation of the second aesthetic subject (including grasping the school ownership of the Northeast folk songs, understanding the aesthetic characteristics of the Northeast folk songs, interpreting and interpreting the text, creating and diversifying the songs in all directions) Instrumental accompaniment of Northeast Folk songs The third part is the research on the direction of the third aesthetic subject (audience) of the Northeast folk song, including the concept connotation of the third aesthetic subject, the artistic status of the third aesthetic subject, the artistic accomplishment of the third aesthetic subject, The third aesthetic subject's "three creation" (including understanding the music language of Northeast folk songs, grasping the aesthetic characteristics of Northeast Folk songs, appreciating the ideological contents of Northeast Folk songs, appreciating the artistic forms of Northeast Folk songs and re-creating in the process of appreciation). Through the research of the three major aesthetic subjects, a theoretical framework of the omnidirectional, serialized and deep-seated system theory is constructed. Aiming at the innovation and development of folk songs in Northeast China, it provides a dual frame of reference for rational speculation and artistic practice from the aesthetic level.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J607
【参考文献】
相关期刊论文 前1条
1 钱学森;;关于形象思维问题的一封信[J];中国社会科学;1980年06期
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