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论贝多芬钢琴奏鸣曲中奏鸣曲式的高潮处理手法

发布时间:2018-11-10 10:23
【摘要】:作曲技术理论作为音乐学习的必修课越来越得到音乐院系的重视,为了使作曲技术理论的教学与实践更臻于完善,本文以贝多芬钢琴奏鸣曲中奏鸣曲式的高潮处理手法为研究点,运用举例法、类比法等科学的研究方法对贝多芬的作曲技法做一些简单的总结和概括。贝多芬作为世界上最伟大的天才作曲家之一,他创作的音乐极大的影响了音乐的发展,贝多芬一生创作的32首钢琴奏鸣曲是他全部作品的重心所在。在奏鸣曲中,奏鸣曲式扮演主要角色,贝多芬完善了奏呜曲式中机构内部的对比因素,扩大展开部的矛盾冲突和发展的动力,使他的钢琴奏鸣曲远远地超过了前人,创造出一种他自己独特的音乐风格,由此奏鸣曲式作为一种通用曲式构造到贝多芬达到了高峰。在奏鸣曲式中,由于矛盾的冲突特别的激烈,往往造成曲式中高潮迭起,分析曲式中的高潮手法又成为掌握奏鸣曲式的必要手段。贝多芬就是充分利用了他丰富多样的技术手段形成奏鸣曲式中的高潮,在他创作的钢琴奏鸣曲的奏鸣曲式中,我们可以发现他是怎样使用力度的变化、音区的调动,借助织体的改变、速度的对比、和声的变动以及其他的音乐技术手段,在相同和不同的主题材料之间形成起伏与高低潮。本文着重从高潮出现的位置、高潮出现前后的节奏特点、高潮出现时的力度变化、高潮出现时的调性变化、高潮出现时的和声变化、高潮出现时模进手法的运用等几方面就贝多芬在作品中如何以极周密的计划促成建筑式的、精巧的高潮这一问题进行详尽的分析,从而揭示其要领。
[Abstract]:As a required course of music learning, the theory of composition technology has been paid more and more attention to by the department of music. In order to improve the teaching and practice of the theory of composition technology, In this paper, the method of dealing with the high tide of sonata in Beethoven's piano sonatas is taken as the research point, and some scientific research methods, such as examples and analogy, are used to summarize and generalize Beethoven's composing techniques. Beethoven as one of the greatest talented composers in the world, his music greatly affected the development of music, Beethoven created 32 piano sonatas is the focus of all his works. In sonatas, sonatas play a major role. Beethoven perfected the comparative factors within the organs of the sonata, expanded the contradictions and conflicts in the unfolding part and developed the motive force, so that his piano sonatas far exceeded those of his predecessors. He created his own unique musical style, from which sonata as a universal form of construction to Beethoven reached its peak. In sonata form, because the conflict of contradiction is especially fierce, it often results in the high tide of the form, and the analysis of the climax technique in the form becomes the necessary means to master the sonata form. Beethoven made full use of his rich and varied technical means to form the climax of the sonata form. In the sonata form of his piano sonata, we can find out how he used the change of intensity and the movement of the sound area. With the help of texture changes, speed comparisons, harmony changes, and other musical techniques, ups and downs are formed between the same and different subject materials. This paper focuses on the location of the occurrence of the climax, the rhythm characteristics before and after the occurrence of the climax, the dynamics changes during the occurrence of the climax, the tonality change during the occurrence of the climax, the harmony change during the occurrence of the climax, In this paper, the author makes a detailed analysis on how Beethoven made the architectural and exquisite orgasm in his works from the aspects of the use of the modus operandi during the emergence of the climax, thus revealing the essentials of Beethoven's work.
【学位授予单位】:曲阜师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J624.1

【引证文献】

相关硕士学位论文 前3条

1 于倩;贝多芬钢琴奏鸣曲奏鸣曲式展开部分析[D];中国艺术研究院;2011年

2 马学文;乐段结构研究[D];武汉音乐学院;2009年

3 刘美辰;贝多芬钢琴奏鸣曲Opus 14 Nr.1和Opus 81a比较与研究[D];江西师范大学;2009年



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