陈钢“红色小提琴”作品研究
发布时间：2018-11-15 07:31
【摘要】：本文着意于作曲家陈钢在“文革”时期创作的“红色小提琴”作品，将其创作至于“文革”音乐创作的宏观历史背景下，运用音乐史学的视角，通过考察陈钢在“文革”时期的生活经历，解读陈钢“红色小提琴”的创作动因及思维生成，，试图发掘陈钢“红色小提琴”产生的历史的偶然因素与必然因素。 出身于“海派文化”鼎盛时期上海一个名门贵族家庭的陈钢，“海派文化”与父亲陈歌辛印度血统、母亲金娇丽回族血统对其音乐创作观念的形成产生了深刻的影响。陈钢认为，他的音乐创作很大一部分影响来自父亲，虽然在上海音乐学院接受专业的音乐理论及作曲技法为他的音乐生涯奠定了基础，陈钢始终认为：他最初的音乐启蒙受益于父亲陈歌辛。 将自己的音乐创作看成是一条历史长河的陈钢，“红色小提琴”的创作与其前后的音乐创作有着或多或少的联系，顺势而生、逆势而动是陈钢对他不同时期音乐创作的概括。 文中还涉及到对“红色小提琴”音乐本体分析，阐释其所具有的独特的音乐特征及时代印记。最后以历史的、发展的眼光看待“红色小提琴”的传播、影响及其价值，当然也毫不避讳言其所隐含的政治印记。
[Abstract]:This paper focuses on the works of "Red Violin" created by composer Chen Gang during the Cultural Revolution. Under the macro historical background of the music creation of the "Cultural Revolution", the author applies the perspective of music history. By examining Chen Gang's life experience during the "Cultural Revolution", this paper interprets the creative motivation and thinking formation of Chen Gang's "Red Violin", and tries to explore the accidental and inevitable factors in the history of the "Red Violin" produced by Chen Gang. Chen Gang, who was born in a famous Shanghai aristocratic family during the peak of "Shanghai Culture", had a profound influence on the formation of his music creation idea by "Shanghai Culture" and his father Chen GE Xin's Indian lineage and his mother's blood of Jin Qiaoli Hui nationality. Chen Gang believes that a large part of his music creation came from his father, although the acceptance of professional music theory and composition techniques at the Shanghai Conservatory of Music laid the foundation for his musical career. Chen Gang always believed that his initial music enlightenment benefited from his father, Chen GE Xin. Taking his music creation as a long history of Chen Gang, the creation of "Red Violin" has more or less relation with the music creation before and after it. It also involves the analysis of the music Noumenon of "Red Violin" and its unique musical features and epoch imprint. Finally, the dissemination, influence and value of Red Violin are viewed from a historical and developmental perspective.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J622.1
本文编号：2332576
[Abstract]:This paper focuses on the works of "Red Violin" created by composer Chen Gang during the Cultural Revolution. Under the macro historical background of the music creation of the "Cultural Revolution", the author applies the perspective of music history. By examining Chen Gang's life experience during the "Cultural Revolution", this paper interprets the creative motivation and thinking formation of Chen Gang's "Red Violin", and tries to explore the accidental and inevitable factors in the history of the "Red Violin" produced by Chen Gang. Chen Gang, who was born in a famous Shanghai aristocratic family during the peak of "Shanghai Culture", had a profound influence on the formation of his music creation idea by "Shanghai Culture" and his father Chen GE Xin's Indian lineage and his mother's blood of Jin Qiaoli Hui nationality. Chen Gang believes that a large part of his music creation came from his father, although the acceptance of professional music theory and composition techniques at the Shanghai Conservatory of Music laid the foundation for his musical career. Chen Gang always believed that his initial music enlightenment benefited from his father, Chen GE Xin. Taking his music creation as a long history of Chen Gang, the creation of "Red Violin" has more or less relation with the music creation before and after it. It also involves the analysis of the music Noumenon of "Red Violin" and its unique musical features and epoch imprint. Finally, the dissemination, influence and value of Red Violin are viewed from a historical and developmental perspective.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J622.1
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