当前位置:主页 > 文艺论文 > 器乐论文 >

宋代歌曲对中国艺术歌曲的延展研究

发布时间:2018-11-16 14:23
【摘要】:中国艺术歌曲的产生早于欧洲艺术歌曲,“诗辞”与“音乐”的完美融合乃艺术歌曲特有的基本美学标准。战国《诗经》虽仅有歌词部分,但今人从中国诗歌的词律、文采节奏上,仍可感受到几千年前中国艺术歌曲的“词乐之美”,它有着我国最早的艺术歌曲形式。至历史的车轮驶至宋代时,中国音乐进入了发展的转型期。宋代民间艺术的繁盛与文人地位的不断提高,中国艺术歌曲出现了“百花齐放百家争鸣”的新气象,它开创了艺术歌曲发展的第一次大繁荣。论文以宋代歌曲在中国艺术歌曲发展中的这个特殊角度延伸扩展,以宋代市民艺术歌曲与文人词乐为主要研究对象,先从整体上对宋代歌曲的艺术特征等方面作全面论述与分析之后,再探寻它与中国艺术歌曲的个体与整体关系,中国艺术歌曲的历史沿革中所处的作用及重要地位等等,由此便于在第三章中进一步将宋代歌曲为论据,,围绕学术界对现阶段“中国艺术歌曲”发展中一直存在的四大热点话题进行延展研究。本人也希望通过论文的研究,不但让我们在更深层次地了解中国艺术歌曲,又能够给当代蓬勃发展中的中国艺术歌曲予以一定的启示。 论文分三章来论述。第一章,对宋代歌曲作全方面详细论述,为后两章内容奠定基础,描绘一个繁荣发展中的宋代歌曲;第二章,在解决宋代歌曲与中国艺术歌曲是并列关系,还是个体与整体关系这个问题的同时,以宋代歌曲为分界面,追溯中国艺术歌曲的历史沿革过程中宋代歌曲的“雅俗”影响及意义,从而说明宋代歌曲在中国艺术歌曲发展过程中有着不可忽视的地位及作用;第三章,从宋代歌曲所处的特殊角度出发,以现学术界对中国艺术歌曲发展中的四大热点话题为小节内容,对中国艺术歌曲作人文思考。 本文将拟采取文献检索法、作品分析法、比较法,以“雅乐”向“俗乐”转型角度为切入点,主要对中国艺术歌曲的历史沿革,中国艺术歌曲的“内涵与外延”、“雅俗”趋向、继承与创新、艺术歌曲与艺术性歌曲这四个现阶段学术界讨论的热点话题,作全面地延展。
[Abstract]:The emergence of Chinese art songs was earlier than that of European art songs, and the perfect combination of "poetry" and "music" was the basic aesthetic standard of art songs. Although the Book of songs of the warring States period has only some lyrics, people can still feel "the beauty of ci and music" of Chinese art songs thousands of years ago from the rhythm and rhythm of Chinese poetry. It has the earliest form of Chinese art songs. By the time the wheel of history reached the Song Dynasty, Chinese music had entered a transitional period of development. With the prosperity of folk art in Song Dynasty and the continuous improvement of literati's status, Chinese art songs had a new atmosphere of "a hundred flowers blossom and a hundred schools of thought contend", which created the first great prosperity of the development of art songs. In this paper, the Song Dynasty song in the development of Chinese art songs in this special angle of extension, the Song Dynasty folk art songs and music as the main research object. After making a comprehensive discussion and analysis on the artistic characteristics of song in Song Dynasty as a whole, this paper explores the relationship between it and the individual and the whole of Chinese art songs, the function and important position of Chinese art songs in the historical evolution, and so on. Therefore, it is convenient to further study the Song Dynasty songs in the third chapter, focusing on the four hot topics in the development of "Chinese Art songs" at this stage. I also hope that through the study of the paper, not only let us understand Chinese art songs at a deeper level, but also can give some enlightenment to the contemporary vigorous development of Chinese art songs. The paper is divided into three chapters. In the first chapter, the song of the Song Dynasty is discussed in detail in order to lay the foundation for the latter two chapters, and to describe a prosperous and developing song of the Song Dynasty. The second chapter, in order to solve the problem of whether Song Dynasty songs and Chinese art songs are juxtaposed or individual and overall relationship, at the same time taking Song Dynasty songs as the interface. Tracing back to the influence and significance of song "elegance and vulgarity" in the course of historical evolution of Chinese art songs, it shows that song of Song Dynasty plays an important role in the development of Chinese art songs. In the third chapter, from the special angle of song in Song Dynasty, taking the four hot topics in the development of Chinese art songs as the contents of the present academic circles, the humanistic thinking on Chinese art songs is made. This article will adopt the literature retrieval method, the work analysis method, the comparative method, taking the "elegant music" to "the popular music" transformation angle as the breakthrough point, mainly to the Chinese art song historical evolution, the Chinese art song "intension and extension", The trend of "elegance and vulgarity", inheritance and innovation, art songs and artistic songs are four hot topics discussed in the academic circles.
【学位授予单位】:四川师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J609.2

【参考文献】

相关期刊论文 前10条

1 丁言涛;;中国的艺术歌曲缘自何时[J];安徽工业大学学报(社会科学版);2010年06期

2 梁美玲;;试论宋词歌曲的艺术特征[J];沧桑;2008年05期

3 印成平;;宋代词调音乐与姜夔的艺术歌曲[J];黄河之声;2007年11期

4 秦红梅;;浅谈宋代文人艺术的审美特征[J];黄河之声;2008年12期

5 宋婷婷;;宋代词调音乐的创作特征[J];黄河之声;2011年08期

6 修海林;宋代词乐的创作特点[J];音乐研究;2003年01期

7 汤建宇;论宋代艺术歌曲的发展[J];宁夏大学学报(哲学社会科学版);1999年02期

8 甄娟;;宋代词乐的感性美与文人的“自我表现”[J];山东农业大学学报(社会科学版);2007年04期

9 修海林;;从姜白石自度曲看词乐创作中的“音”“韵”关系——兼及宋元“起调毕曲”理论的相关分析[J];音乐艺术(上海音乐学院学报);2010年02期

10 宋秋敏;;不妨随俗自婵娟——从流行歌曲视角看唐宋词的通俗特征[J];殷都学刊;2007年02期



本文编号:2335756

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/qiyueyz/2335756.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户7e17a***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com