拉威尔钢琴组曲《镜子》、《库泊兰之墓》研究
发布时间：2018-11-17 14:27
【摘要】：拉威尔的创作风格中包含两个重要侧面——一方面是对印象派音乐风格的继承与拓展，另一方面是对传统、尤其是法国古典音乐传统的继承。《镜子》与《库泊兰之墓》这两部作品清晰地反映了这两个侧面的结合：《镜子》在偏重于表现印象派风格的基础上，又蕴涵古典元素；《库泊兰之墓》则在着重表现古典风格的同时也添加进印象派的新颖色彩，两者对比鲜明又具有风格上的统一性。 本文同时运用对比研究和共性研究，，重点探讨了这两部作品的有关创作背景资料、具体创作手法与演奏要点这三个方面。这些研究对于更好地理解和演奏这两部作品乃至拉威尔其他钢琴作品，并更全面地掌握拉威尔钢琴创作的总体风格特点都有比较重要的意义。
[Abstract]:Ravel's writing style contains two important facets-one is the inheritance and expansion of the Impressionist musical style, the other is the tradition. Especially the inheritance of the tradition of French classical music. "Mirror" and "Tomb of Kuporan" clearly reflect the combination of these two aspects: "Mirror" in the emphasis on the performance of the Impressionist style on the basis of the implication of classical elements; The Tomb of Kuporan emphasizes on the classical style and adds the new color of Impressionism at the same time, the contrast between the two is sharp and the style is unified. At the same time, by using the comparative study and the general research, this paper focuses on the three aspects of the creation background, the specific creative techniques and the main points of the performance of the two works. These studies are of great significance for better understanding and performance of the two works, as well as other piano works of Ravel, and more comprehensive understanding of the overall style characteristics of Ravel's piano creation.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1
本文编号：2338116
[Abstract]:Ravel's writing style contains two important facets-one is the inheritance and expansion of the Impressionist musical style, the other is the tradition. Especially the inheritance of the tradition of French classical music. "Mirror" and "Tomb of Kuporan" clearly reflect the combination of these two aspects: "Mirror" in the emphasis on the performance of the Impressionist style on the basis of the implication of classical elements; The Tomb of Kuporan emphasizes on the classical style and adds the new color of Impressionism at the same time, the contrast between the two is sharp and the style is unified. At the same time, by using the comparative study and the general research, this paper focuses on the three aspects of the creation background, the specific creative techniques and the main points of the performance of the two works. These studies are of great significance for better understanding and performance of the two works, as well as other piano works of Ravel, and more comprehensive understanding of the overall style characteristics of Ravel's piano creation.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1
【引证文献】
相关硕士学位论文 前3条
1 林萃;拉威尔钢琴作品中的“异国情调”特征初探[D];福建师范大学;2010年
2 刘菁媛;拉威尔早期钢琴作品和声技法研析[D];山东师范大学;2007年
3 王卓;从钢琴组曲《镜子》探析拉威尔音乐创作风格[D];华东师范大学;2010年
本文编号：2338116
本文链接：https://www.wllwen.com/wenyilunwen/qiyueyz/2338116.html
