里盖蒂的《大提琴无伴奏奏鸣曲》及其演奏要点
发布时间:2018-11-19 19:32
【摘要】: 里盖蒂的《大提琴无伴奏奏鸣曲》是20世纪大提琴文献中的代表作品之一。无论在作曲技法,还是在大提琴演奏技术上,都有着众多大胆的开拓与创新。本文首先概述了作曲家的生平、作品的创作背景,并对作品的演奏要点及技术处理作出具体分析:就第一乐章着重谈到了和弦和主题变化特点及其演奏技法;第二乐章从左右手的技术运用和特殊音乐处理出发,对作品进行深入的分析与理解。在论文的最后部分,笔者评析了所搜集、整理的四个具有代表性的演奏版本,并对各个演奏家的处理作了较为全面、系统地分析。
[Abstract]:Ricetti's cello accompaniment sonata is one of the representative works in the 20 th century cello literature. Both in composition techniques, or in cello playing technology, there are many bold development and innovation. This paper firstly summarizes the life of the composer, the background of the creation of the work, and makes a specific analysis of the main points and technical treatment of the work: the first movement focuses on the chord and the theme of the change of the characteristics and playing techniques; The second movement from the right and left hand technology and special music processing, in-depth analysis and understanding of the work. In the last part of the thesis, the author reviews the four representative performances collected and arranged, and makes a more comprehensive and systematic analysis of the treatment of each performer.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J622.3
本文编号:2343224
[Abstract]:Ricetti's cello accompaniment sonata is one of the representative works in the 20 th century cello literature. Both in composition techniques, or in cello playing technology, there are many bold development and innovation. This paper firstly summarizes the life of the composer, the background of the creation of the work, and makes a specific analysis of the main points and technical treatment of the work: the first movement focuses on the chord and the theme of the change of the characteristics and playing techniques; The second movement from the right and left hand technology and special music processing, in-depth analysis and understanding of the work. In the last part of the thesis, the author reviews the four representative performances collected and arranged, and makes a more comprehensive and systematic analysis of the treatment of each performer.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J622.3
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相关期刊论文 前8条
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