从贝多芬第四钢琴协奏曲探讨贝多芬的创作特点
发布时间：2018-11-19 22:16
【摘要】：贝多芬《第四钢琴协奏曲》(0p.58)创作于1805—1806年间,是他最具代表性的钢琴作品之一。与他的初期作品相比,这部作品在创作技法、音乐语言及音乐风格都更加成熟；在创作动机、主导思想与精神内涵方面也更加体现出作者的核心价值观。笔者将以贝多芬《第四钢琴协奏曲》为具体研究对象,从技巧分析、历史社会背景分析及演奏处理角度出发,全面深入的研究探讨该作品的哲学内涵、创作技法及演奏注意事项。
[Abstract]:Beethoven's fourth Piano Concerto (0p.58), written between 1805 and 1806, is one of his most representative piano works. Compared with his early works, this work is more mature in creative techniques, musical language and musical style, and also embodies the author's core values in terms of creative motivation, dominant thought and spiritual connotation. The author will take Beethoven's Piano Concerto as the specific research object, from the technical analysis, the historical and social background analysis and the performance processing angle, comprehensively and deeply studies the philosophy connotation of this work, Creative techniques and notes for performance.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1;J614
本文编号：2343595
[Abstract]:Beethoven's fourth Piano Concerto (0p.58), written between 1805 and 1806, is one of his most representative piano works. Compared with his early works, this work is more mature in creative techniques, musical language and musical style, and also embodies the author's core values in terms of creative motivation, dominant thought and spiritual connotation. The author will take Beethoven's Piano Concerto as the specific research object, from the technical analysis, the historical and social background analysis and the performance processing angle, comprehensively and deeply studies the philosophy connotation of this work, Creative techniques and notes for performance.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1;J614
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