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永儒布多声部音乐创作风格技法研究

发布时间:2018-12-12 19:58
【摘要】:永儒布是蒙古族著名的作曲家,他所创作的音乐作品能把蒙古族最优秀的旋律与西方现代的作曲技法相结合,他还能把具有民族特色的乐器与交响乐结合在一起。这些都是先生作品中最具特色的一面。本文一是通过对永儒布音乐作品的大量分析,揭示他对传统多声部技法的创新,如非三度叠置的和弦、各种平行进行、多调性等技法的运用;二是通过与西方音乐风格作对比,揭示出永儒布作品中所表现的风格特征与文化内涵。 本文以永儒布音乐作品多声部技法为主要研究对象,主体分为五个部分:第一部分是永儒布的艺术生涯与艺术成就简介;第二部分是永儒布多声部音乐中的纵向结构特征;第三部分是永儒布多声部音乐中横向结构特点;第四部分是永儒布多声部音乐创作中的调性变化思维;第五部分是永儒布多声部音乐观念特征及表现意义。
[Abstract]:Yongjubu is a famous Mongolian composer. His music works can combine the best melody of Mongolian nationality with modern western composing techniques, and he can also combine musical instruments with national characteristics with symphonies. These are the most distinctive aspects of his work. First, through the analysis of Yongjubu's musical works, it reveals his innovation in traditional multi-part techniques, such as non-triple superimposed chords, various parallel processes, polytonicity and other techniques. Second, by comparing with the western musical style, it reveals the style characteristics and cultural connotation of Yongjubu's works. The main body of this thesis is divided into five parts: the first part is a brief introduction of Yongjubu's artistic career and artistic achievement, the second part is the vertical structural characteristics of Yongzhouduo's vocal part music, the first part is a brief introduction of Yongzhoubo's artistic career and artistic achievement, the second part is the vertical structure of Yongzhouduo's music. The third part is the characteristics of the horizontal structure in Yongjubuduo's voice music; the fourth part is the tonal changing thinking in Yongzhouduo's music creation; the fifth part is the characteristics of Yongzhouduo's musical concept and its expressive significance.
【学位授予单位】:内蒙古大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J614

【参考文献】

相关期刊论文 前4条

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4 韩冷;;草原的独特之美——赞《草原颂》[J];人民音乐;2006年12期



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