中俄高等院校手风琴专业教学现状之比较与研究
发布时间：2018-12-13 04:46
【摘要】：本文将中国和俄罗斯的手风琴高等专业教学现状作为研究内容，分别从手风琴教育史、手风琴教学论、手风琴制作工艺三个方面对中俄两国手风琴高等专业教育进行比较，一方面了解俄罗斯手风琴高等专业教育发展情况、存在的优势以及新形势下面临的问题，同时总结中国手风琴高等专业教育现状、所取得的成绩以及存在的不足，通过借鉴俄罗斯手风琴教育发展中的经验，指出乐器革新和本民族风格手风琴音乐作品创作对今后中国手风琴艺术发展所起的重要作用。 全文共分为三章： 第一章从中俄教育体系及音乐教育的历史背景以及两国高等音乐教育手风琴专业的创建及其教学活动两个方面进行比较，提出手风琴室内乐的教学将成为中国手风琴发展的必然趋势。 第二章从手风琴教学理论研究及教材编写、民族化手风琴作品的创作以及音乐院校开展的国内外手风琴艺术交流活动三个方面深入展开，，提出将民族元素运用进中国手风琴作品的必要性。 第三章从两国使用乐器上的差异指出自由低音手风琴是中国手风琴与国际接轨的重要标志。
[Abstract]:Based on the current situation of accordion teaching in China and Russia, this paper compares accordion education in China and Russia from three aspects: accordion education history, accordion teaching theory and accordion production technology. On the one hand, to understand the development of the Russian accordion higher professional education, its advantages and problems in the new situation, and at the same time to summarize the current situation, achievements and shortcomings of the Chinese accordion higher professional education. By drawing lessons from the experience of the development of accordion education in Russia, this paper points out that the innovation of musical instruments and the creation of accordion musical works of their own style will play an important role in the development of Chinese accordion art in the future. The full text is divided into three chapters: the first chapter compares the educational system and the historical background of music education between China and Russia, and the establishment of accordion specialty and teaching activities of higher music education in the two countries. It is pointed out that the teaching of accordion chamber music will become an inevitable trend in the development of Chinese accordion. The second chapter starts from three aspects: the study of accordion teaching theory and the compilation of teaching materials, the creation of nationalized accordion works and the domestic and foreign accordion art exchange activities carried out by music colleges. Put forward the necessity of applying national elements to Chinese accordion works. The third chapter points out that the free bass accordion is an important symbol of Chinese accordion.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.3
本文编号：2375906
[Abstract]:Based on the current situation of accordion teaching in China and Russia, this paper compares accordion education in China and Russia from three aspects: accordion education history, accordion teaching theory and accordion production technology. On the one hand, to understand the development of the Russian accordion higher professional education, its advantages and problems in the new situation, and at the same time to summarize the current situation, achievements and shortcomings of the Chinese accordion higher professional education. By drawing lessons from the experience of the development of accordion education in Russia, this paper points out that the innovation of musical instruments and the creation of accordion musical works of their own style will play an important role in the development of Chinese accordion art in the future. The full text is divided into three chapters: the first chapter compares the educational system and the historical background of music education between China and Russia, and the establishment of accordion specialty and teaching activities of higher music education in the two countries. It is pointed out that the teaching of accordion chamber music will become an inevitable trend in the development of Chinese accordion. The second chapter starts from three aspects: the study of accordion teaching theory and the compilation of teaching materials, the creation of nationalized accordion works and the domestic and foreign accordion art exchange activities carried out by music colleges. Put forward the necessity of applying national elements to Chinese accordion works. The third chapter points out that the free bass accordion is an important symbol of Chinese accordion.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.3
【参考文献】
相关期刊论文 前3条
1 马达;中小学音乐教育发展与高师音乐教育改革现状[J];福建师范大学学报(哲学社会科学版);2003年05期
2 张晓红;高师音乐教育模式新思路[J];中国音乐;2004年03期
3 申波;对现代手风琴音乐表演的文化思考[J];天津音乐学院学报;2003年01期
本文编号：2375906
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