古诺歌剧《浮士德》中玛格丽特的人物分析
发布时间：2018-12-13 22:58
【摘要】：歌剧《浮士德》是古诺最著名的作品之一。但歌剧的主题与诗剧主题有着很大的差别。诗剧通过浮士德一生的探索追求，艺术地概括和表现了资产阶级上升时期的知识分子形象，表现了资产阶级思想的发展历程。浮士德矛盾的两重性、他的不断追求、不断探索的精神，代表了资产阶级上升时期的进步知识分子的形象。而古诺歌剧则以爱情悲剧为中心，忽略了诗剧的哲理性和象征性，侧重表现玛格丽特的天真纯朴善良以及她对爱情的追求，由此产生的与封建道德观念和宗教意识的冲突，并导致悲剧结局。 全文由四章组成，第一章绪论，总括研究缘起、研究设想等。歌剧是一门综合性的艺术，而戏剧首当其冲是歌剧最重要的艺术元素，同时也是歌剧的基本品格。戏剧的基本范畴又包括故事情节、人物关系、以及对话与诗剧等等，，这对研究一部歌剧来说是不可或缺的。因此第二章第三章主要从歌剧的戏剧元素进入研究，从歌剧选材和歌剧人物入手，对歌剧主题及爱情悲剧的成因进行考察。从文本角度，探析歌剧主题形成、戏剧人物关系，以及这种关系与戏剧冲突发展的关系，玛格丽特悲剧的成因；第四章从歌剧音乐的元素着手，把握对玛格丽特爱情悲剧的音乐刻画，对人物性格的音乐展示。笔者在第四章中根据歌剧音乐的戏剧性功能及歌剧的音乐表现手段，从抒情性、叙事性和冲突性三方面入手，对歌剧人物形象及爱情悲剧的刻画做进一步的诠释，以期深化对歌剧主题的把握。
[Abstract]:The opera Faust is one of Cournot's most famous works. But the theme of opera and the theme of poetry are very different. Through the exploration and pursuit of Faust's life, the poetic drama summarizes and expresses the image of the intellectuals in the rising period of the bourgeoisie and the development course of the bourgeois thought. The duality of Faust's contradiction, his constant pursuit and the spirit of constant exploration represent the image of progressive intellectuals in the rising period of bourgeoisie. On the other hand, the opera centered on the tragedy of love, neglecting the philosophical and symbolic aspects of poetry, focusing on the expression of Marguerite's innocence and kindness and her pursuit of love, which resulted in conflicts with feudal moral concepts and religious consciousness. And lead to a tragic ending. This paper is composed of four chapters, the first chapter is introduction, the origin of the overall research, research ideas and so on. Opera is a comprehensive art, and drama is the most important artistic element and the basic character of opera. The basic categories of drama, such as storyline, character relationship, dialogue and poetry, are indispensable to the study of an opera. Therefore, the second chapter and the third chapter mainly from the opera drama elements into the study, from the opera selection and opera characters, the opera theme and love tragedy causes were investigated. From the perspective of text, this paper explores the formation of opera themes, the relationship between dramatic characters and the development of drama conflicts, and the causes of Margaret's tragedy. The fourth chapter begins with the elements of opera music, grasping the musical depiction of Margaret's love tragedy and the musical display of character. In the fourth chapter, according to the dramatic function of opera music and the means of musical expression of opera, from three aspects of lyricism, narration and conflict, the author further interprets the portrayal of opera characters and love tragedy. In order to deepen the grasp of the theme of opera.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I516;J832;J609.5
本文编号：2377403
[Abstract]:The opera Faust is one of Cournot's most famous works. But the theme of opera and the theme of poetry are very different. Through the exploration and pursuit of Faust's life, the poetic drama summarizes and expresses the image of the intellectuals in the rising period of the bourgeoisie and the development course of the bourgeois thought. The duality of Faust's contradiction, his constant pursuit and the spirit of constant exploration represent the image of progressive intellectuals in the rising period of bourgeoisie. On the other hand, the opera centered on the tragedy of love, neglecting the philosophical and symbolic aspects of poetry, focusing on the expression of Marguerite's innocence and kindness and her pursuit of love, which resulted in conflicts with feudal moral concepts and religious consciousness. And lead to a tragic ending. This paper is composed of four chapters, the first chapter is introduction, the origin of the overall research, research ideas and so on. Opera is a comprehensive art, and drama is the most important artistic element and the basic character of opera. The basic categories of drama, such as storyline, character relationship, dialogue and poetry, are indispensable to the study of an opera. Therefore, the second chapter and the third chapter mainly from the opera drama elements into the study, from the opera selection and opera characters, the opera theme and love tragedy causes were investigated. From the perspective of text, this paper explores the formation of opera themes, the relationship between dramatic characters and the development of drama conflicts, and the causes of Margaret's tragedy. The fourth chapter begins with the elements of opera music, grasping the musical depiction of Margaret's love tragedy and the musical display of character. In the fourth chapter, according to the dramatic function of opera music and the means of musical expression of opera, from three aspects of lyricism, narration and conflict, the author further interprets the portrayal of opera characters and love tragedy. In order to deepen the grasp of the theme of opera.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I516;J832;J609.5
【引证文献】
相关硕士学位论文 前3条
1 马纳;论古诺歌剧中女主角的人物塑造和声音处理[D];湖南师范大学;2012年
2 吴会云;瓦格纳歌剧《唐豪瑟》中“唐豪瑟”人物形象分析[D];福建师范大学;2013年
3 花蕾;古诺歌剧《罗密欧与朱丽叶》中朱丽叶的人物塑造及演唱风格研究[D];上海师范大学;2013年
本文编号：2377403
本文链接：https://www.wllwen.com/wenyilunwen/qiyueyz/2377403.html
