中国古代音乐心理学思想的构建与发展
发布时间：2018-12-18 17:55
【摘要】：音乐心理学(Psychology of Music)是心理学和音乐活动有机结合的一门新兴学科，从心理学的角度研究人类的各种音乐活动。我国现代音乐心理学的研究始于20世纪80年代。纵观取得的研究成果，大多为介绍西方音乐心理学的文章，有关音乐心理发展的本土化特点的研究尚显薄弱，对中国古代论著中的音和心理思想进行比较完整而系统研究的成果也不多。而我国早在春秋战国时期诸子百家的论著中就有关于音乐心理活动的描述和对某些音乐心理规律的研究，从关注音乐与自然的联系、音乐沟通“天人”等朴素的、带有神本哲学色彩的描述到重视音乐与人心理、情感的密切联系，音乐主体的心理特征在音乐活动中的强大作用等强调人本主义文化内涵的研究，研究历时达二千年；研究成果从散见于古代文献的语录，发展到独立的论述篇章和专门的乐论著作，从带有哲学意味的结论到分层递进的分析，从理论分析到实践验证，从隶属于哲学、伦理等学科逐步发展为具有自己独立研究命题和专门著述的理论体系；研究领域几乎涵盖了现代音乐心理学所有的命题，如音乐与人心理的关系、产生音乐心理现象的生理机制、音乐的心理效能、音乐的社会作用、音乐欣赏心理、音乐表演心理、音乐创作心理、音乐对塑造个体具有完备性格的作用、音乐养生、治疗思想等等；涉及到的心理现象有：音乐感知、情绪、情感、音乐想象和联想、音乐理解认识和判断、音乐记忆、音乐兴趣、意志、音乐才能、技巧、个性、性格、思维、感觉、心境、灵感、听觉感受性、听觉阈限等等；研究方法以哲学思辨为主，，兼以实证和内省，注重理论与实践的结合。同时，其形成与发展，无不伴随着各时期文化思想的发展轨迹，从孔子的仁学、中庸之道到道家的自然无为，从魏晋的玄学到宋明理学，每一时期的文化思潮，均极大的影响着并悄然改变着古代先贤们探索音乐心理学思想的脚步。 笔者试图通过研读我国古代音乐文献著作，收集、整理和分析蕴涵其中的音乐心理学思想构建与发展的历史脉络及其特征，以此为基础、进一步探索在历史演进过程中不同文化形态与音乐心理学思想发展轨迹的相互关系，从而深化对中国古代音乐心理学思想的理解，为构建具有我国本土化发展特征的音乐心理学思想体系，促进音乐心理学学科的理论建设与发展，提供有价值的学术资料。
[Abstract]:Music psychology (Psychology of Music) is a new subject which combines psychology and music activity organically. It studies all kinds of music activities of human beings from the angle of psychology. The study of modern music psychology in China began in the 1980's. Throughout the research achievements, most of them are articles on western music psychology, but the research on the localization of the development of music psychology is still weak. The sound and psychological thoughts in ancient Chinese works are relatively complete and the results of systematic research are few. As early as the Spring and Autumn and warring States period, there were a description of the psychological activities of music and the study of some musical psychological laws in the works of the hundred schools of thought in the Spring and Autumn and warring States period, from the concern of the relationship between music and nature, music communication between "Heaven and Man," and so on. The description with the color of God-based philosophy emphasizes the cultural connotation of humanism, which emphasizes the close relationship between music and human psychology, the close relationship between emotion and the psychological characteristics of the music subject, and so on. The study lasted for two thousand years. The research results have developed from the quotations scattered in ancient documents to independent discourse and special music theory works, from philosophical conclusions to hierarchical analysis, from theoretical analysis to practical verification, from subordinate philosophy, Ethics and other disciplines have gradually developed into a theoretical system with its own independent research proposition and special works. The research field covers almost all the propositions of modern music psychology, such as the relationship between music and human psychology, the physiological mechanism that produces the phenomenon of musical psychology, the psychological efficacy of music, the social function of music, the psychology of music appreciation, the psychology of music performance. Music creation psychology, music to mold the individual has the complete character function, the music preserves the health, the treatment thought and so on; The psychological phenomena involved are: music perception, emotion, music imagination and association, music understanding, understanding and judgment, music memory, musical interest, will, musical talent, skill, personality, thinking, feeling, state of mind, Inspiration, auditory receptivity, auditory threshold and so on; The research method is mainly philosophical thinking and empirical and introspection, focusing on the combination of theory and practice. At the same time, its formation and development are accompanied by the development track of cultural thought in every period, from Confucius' benevolence, the doctrine of the mean to the natural inaction of Taoism, the metaphysics of Wei and Jin dynasties to Song Ming's Neo-Confucianism, and the cultural trend of thought in each period. Are greatly affecting and quietly changing the ancient sages to explore the pace of music psychology. The author attempts to collect, sort out and analyze the historical context and characteristics of the construction and development of the musical psychology thoughts contained in the works of ancient music literature in China. To further explore the relationship between different cultural forms and the development track of music psychology in the course of historical evolution, so as to deepen the understanding of ancient Chinese music psychology. In order to construct the thought system of music psychology which has the characteristic of native development of our country, to promote the theoretical construction and development of the subject of music psychology, and to provide valuable academic materials.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J60-05
本文编号：2386256
[Abstract]:Music psychology (Psychology of Music) is a new subject which combines psychology and music activity organically. It studies all kinds of music activities of human beings from the angle of psychology. The study of modern music psychology in China began in the 1980's. Throughout the research achievements, most of them are articles on western music psychology, but the research on the localization of the development of music psychology is still weak. The sound and psychological thoughts in ancient Chinese works are relatively complete and the results of systematic research are few. As early as the Spring and Autumn and warring States period, there were a description of the psychological activities of music and the study of some musical psychological laws in the works of the hundred schools of thought in the Spring and Autumn and warring States period, from the concern of the relationship between music and nature, music communication between "Heaven and Man," and so on. The description with the color of God-based philosophy emphasizes the cultural connotation of humanism, which emphasizes the close relationship between music and human psychology, the close relationship between emotion and the psychological characteristics of the music subject, and so on. The study lasted for two thousand years. The research results have developed from the quotations scattered in ancient documents to independent discourse and special music theory works, from philosophical conclusions to hierarchical analysis, from theoretical analysis to practical verification, from subordinate philosophy, Ethics and other disciplines have gradually developed into a theoretical system with its own independent research proposition and special works. The research field covers almost all the propositions of modern music psychology, such as the relationship between music and human psychology, the physiological mechanism that produces the phenomenon of musical psychology, the psychological efficacy of music, the social function of music, the psychology of music appreciation, the psychology of music performance. Music creation psychology, music to mold the individual has the complete character function, the music preserves the health, the treatment thought and so on; The psychological phenomena involved are: music perception, emotion, music imagination and association, music understanding, understanding and judgment, music memory, musical interest, will, musical talent, skill, personality, thinking, feeling, state of mind, Inspiration, auditory receptivity, auditory threshold and so on; The research method is mainly philosophical thinking and empirical and introspection, focusing on the combination of theory and practice. At the same time, its formation and development are accompanied by the development track of cultural thought in every period, from Confucius' benevolence, the doctrine of the mean to the natural inaction of Taoism, the metaphysics of Wei and Jin dynasties to Song Ming's Neo-Confucianism, and the cultural trend of thought in each period. Are greatly affecting and quietly changing the ancient sages to explore the pace of music psychology. The author attempts to collect, sort out and analyze the historical context and characteristics of the construction and development of the musical psychology thoughts contained in the works of ancient music literature in China. To further explore the relationship between different cultural forms and the development track of music psychology in the course of historical evolution, so as to deepen the understanding of ancient Chinese music psychology. In order to construct the thought system of music psychology which has the characteristic of native development of our country, to promote the theoretical construction and development of the subject of music psychology, and to provide valuable academic materials.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J60-05
【引证文献】
相关硕士学位论文 前1条
1 郑磊;音乐辅助中学语文教学的实践研究[D];河北师范大学;2008年
本文编号：2386256
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