当前位置:主页 > 文艺论文 > 器乐论文 >

莫扎特钢琴幻想曲演奏研究

发布时间:2018-12-23 09:06
【摘要】:莫扎特(沃尔夫冈莫扎特,1756—1791) 莫扎特奥地利作曲家,古典主义时期代表人物之一。在西方的音乐历史长河中莫扎特无疑是被世人公认的音乐天才,在他仅仅35年的生涯里却给人们留下了大量的宝贵作品。他的创作风格古典音乐的典型代表,作品细腻委婉充满了自信和欢乐。在他的乐曲中常常能感觉到生命的真谛和生活的乐趣。 本文是基于莫扎特的幻想为研究对象,从莫扎特的生活经历为切入点,,深入了解作曲家的创作背景,写作风格和对后世的音乐创作。 莫扎特在一生中创作了大量的器乐作品和歌剧作品,器乐作品中幻想曲是他创作数量上较少的作品但其内容的丰富却是相当庞大。幻想曲体裁是交响乐与歌剧的结合是用钢琴表现出来的微缩图,所以本篇内容不仅研究了幻想曲的演奏技巧和艺术特色。为了更好的诠释幻想曲这篇文章还简单的介绍了莫扎特的歌剧和交响乐。 论文由绪论,本论和结论三部分组成。绪论主要阐述了本课题目前研究状况及成果。本论主要为三个部分:第一部分介绍了莫扎特的生平,创作背景,和幻想曲创作风格;第二部分具体研究了该作品的演奏技巧,情感表达等以及部分内容曲式分析;第三部分主要写这三首幻想曲与歌剧和交响乐的联系以及幻想曲的音乐表现力和艺术特征。 莫扎特这三首幻想曲《c小调幻想曲k475》《d小调幻想曲k396》《d小调幻想曲k397》。在世界音乐舞台上具有不可磨灭的历史性地位,至今幻想曲仍被人们称为庞大的钢琴作品在演奏中旋律部分既要体现歌剧的创作伴奏部分还要弹奏出交响乐的音响,所以此作品的研究和学习不仅解决了世人对幻想曲的空白而且还加深了对歌剧和交响乐的理解性认识,增进了人们对幻想曲的认知。此作品的研究与学习,对于钢琴演奏以及钢琴音乐的发展具有深刻的意义。
[Abstract]:Mozart (Wolfgang Mozart, 1756-1791) Mozart Austrian composer, one of the representative figures of the classical period. Mozart is undoubtedly recognized as a musical genius in the long history of western music, but he has left a great deal of valuable works in his only 35 years. His creation style classical music typical representative, the work exquisite euphemism is full of confidence and the joy. The true meaning of life and the joy of life are often felt in his music. This paper is based on Mozart's fantasy as the object of study, from Mozart's life experience as a breakthrough point, in-depth understanding of the composer's creative background, writing style and future generations of music creation. Mozart created a large number of instrumental works and operas in his life. The genre of Fantasia is the combination of symphonies and operas, which is shown on the piano. Therefore, this paper not only studies the performance skills and artistic characteristics of Fantasia. For a better interpretation of Fantasia this article also briefly introduces Mozart's opera and symphony. The paper consists of three parts: introduction, theory and conclusion. The introduction mainly elaborates the present research situation and achievement of this subject. The first part introduces Mozart's life, background and style of Fantasia, the second part studies the performance skills, emotional expression, and part of the content of the composition analysis, the second part of the paper is divided into three parts: the first part introduces Mozart's life, the background of his creation, and the style of his Fantasia. The third part mainly describes the relationship between the three Fantasia and opera and symphony, as well as the musical expressiveness and artistic features of Fantasia. Mozart's three Fantasia in < C minor Fantasia k475 > < d minor Fantasia K396 > < d minor Fantasia K397 >. In the world music stage has an indelible historical status, Fantasia is still known as the huge piano works in the performance of the melody not only reflects the opera creation accompaniment part but also plays the symphony sound. Therefore, the study and study of this work not only solves the blank of the world to the fantasy, but also deepens the understanding of opera and symphony, and enhances people's cognition of the fantasy. The research and study of this work has profound significance for piano playing and the development of piano music.
【学位授予单位】:哈尔滨师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J624.1

【参考文献】

相关期刊论文 前3条

1 窦青;试论钢琴演奏中的歌唱性思维[J];齐鲁艺苑;2001年01期

2 钱仁平;美,从来与忧伤同行——拉赫玛尼诺夫的《第二钢琴协奏曲》[J];音乐爱好者;1997年01期

3 吴瑕;刍议钢琴演奏的歌唱性[J];中国音乐教育;2004年06期



本文编号:2389748

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/qiyueyz/2389748.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户83fb3***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com