古词新曲——谈板胡协奏曲《撼庭秋》的创作与演奏

发布时间：2018-12-25 18:00

【摘要】：改革开放以来,我国民族器乐创作进入了一个全新的多元化繁荣发展时期,产生了一批既具传统音乐文化内涵又富有现代音乐语境的优秀作品,以二胡、古筝、琵琶等为代表的乐器在创作及演奏技术等方面都取得了令人瞩目的巨大成就。在板胡创作方面,板胡协奏曲《撼庭秋》以鲜明的地域音乐文化特征、动机式主题贯穿的结构方式、主题陈述时以陕西特有的"苦音"与"欢音"调式色彩音结构而成的人工九声音阶所造成的调式游移性、展开时的远关系调性转换和布局等创作手法;以深厚的民族神韵、独特的叙述语言、复杂的调式和声、节拍节奏设计以及演奏技术的发掘和拓展;以传统演奏方法与现代演奏技术的糅合、民族音乐素材与现代创作手法的结合、古典诗词意境与当代音乐语境的契合、艺术手段创新与当代审美趋向的融合,对板胡的发展做出了可贵的探索和创新,成为二十一世纪中国民族器乐作品中的经典之一。
[Abstract]:Since the reform and opening up, the creation of Chinese national instrumental music has entered a new period of diversified and prosperous development, and has produced a number of excellent works with both traditional musical culture connotation and modern musical context, to erhu, guzheng, The instrument represented by pipa has made remarkable achievements in creation and playing technology. In the aspect of Banhu's creation, Banhu Concerto "Qiaoting Qiu" is structured with distinct regional musical and cultural characteristics and motivational themes. When the theme is presented, the mode movement caused by the structure of "bitter tone" and "Huan" mode color tone is unique in Shaanxi Province, and the remote relation tone conversion and layout are created when the theme is presented. With deep national charm, unique narrative language, complex tone harmony, rhythm design, as well as the exploration and development of playing technology; With the combination of traditional performance methods and modern performance techniques, the combination of folk music materials and modern creative techniques, the combination of classical poetry artistic conception and contemporary music context, the combination of artistic means innovation and contemporary aesthetic trend, The development of Banhu has made valuable exploration and innovation, and has become one of the classics of Chinese national instrumental music in the 21 th century.
【作者单位】：太原师范学院音乐系;
【分类号】：J632.22

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