六朝鼓吹乐及其与五礼制度的关系研究
发布时间：2018-12-28 17:00
【摘要】： 自汉初得名的“鼓吹”在经历两汉的发展后,成为六朝时期重要的音乐种类,其称谓趋于统一,其用乐形式趋于固定,且出现了国家机构“鼓吹署”对其进行专门的管理。出现这些情况的重要原因是“鼓吹乐”同“五礼”的结合。“五礼”源出《周礼》,但“五礼”制度化的时代却应是在六朝时期,且此时构建的五礼制度框架被其后历代封建王朝所沿用。 五礼制度对鼓吹乐的发展提供了强大的制度依托力,是鼓吹乐成熟的核心因素之一。它不仅对鼓吹的面貌、风格、演奏模式等方面进行着规定,而且为鼓吹乐的传承提供了重要的载体,使得鼓吹乐在千余年的历史长河中被保留至今。鼓吹作为一个乐种,也对五礼制度产生了强大的反作用力,从五礼的制度化到五礼框架的确立都时时处处体现着鼓吹的影响,可以说鼓吹是五礼制度化、现实化的重要引导力。 总而言之,鼓吹在社会礼仪中的实际应用为六朝时期五礼的制度化坚定了社会基础,成为魏晋之际国家礼制变革的重要推动力量;同时五礼的制度化也对鼓吹乐的音乐面貌、用乐模式等产生了重大的影响,两者正是在这样彼此影响、彼此规定中共同走向成熟和定型的。
[Abstract]:After experiencing the development of the Han Dynasty, the name "advocacy" has become an important music category in the six dynasties. Its title tends to be unified and its form of music tends to be fixed. The important reason for these situations is the combination of "advocating music" and "five rites". The "five Rites" originated from Zhou Li, but the institutionalization of "five Rites" should have been in the six dynasties period, and the frame of the five Rites system was followed by the later feudal dynasties. The five-ceremony system provides a strong institutional support for the development of the trumpeting music and is one of the core factors of the music-promoting maturity. It not only prescribes the appearance, style and performance mode of advocacy, but also provides an important carrier for the transmission of advocacy music, which makes it remain in the history of more than a thousand years. As a kind of music, advocacy also produces a strong reaction to the five rites system. From the institutionalization of the five rites to the establishment of the frame of the five rites, the influence of the advocacy is always and everywhere. It can be said that the advocacy is the important guiding force of the institutionalization and realisation of the five rites. In a word, the practical application of advocating in the social etiquette strengthened the social foundation for the institutionalization of the five rites in the six dynasties, and became an important driving force for the reform of the national etiquette system during the Wei and Jin dynasties. At the same time, the institutionalization of the five rites also had a great impact on the music appearance of advocating music and the music model.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2
本文编号：2394205
[Abstract]:After experiencing the development of the Han Dynasty, the name "advocacy" has become an important music category in the six dynasties. Its title tends to be unified and its form of music tends to be fixed. The important reason for these situations is the combination of "advocating music" and "five rites". The "five Rites" originated from Zhou Li, but the institutionalization of "five Rites" should have been in the six dynasties period, and the frame of the five Rites system was followed by the later feudal dynasties. The five-ceremony system provides a strong institutional support for the development of the trumpeting music and is one of the core factors of the music-promoting maturity. It not only prescribes the appearance, style and performance mode of advocacy, but also provides an important carrier for the transmission of advocacy music, which makes it remain in the history of more than a thousand years. As a kind of music, advocacy also produces a strong reaction to the five rites system. From the institutionalization of the five rites to the establishment of the frame of the five rites, the influence of the advocacy is always and everywhere. It can be said that the advocacy is the important guiding force of the institutionalization and realisation of the five rites. In a word, the practical application of advocating in the social etiquette strengthened the social foundation for the institutionalization of the five rites in the six dynasties, and became an important driving force for the reform of the national etiquette system during the Wei and Jin dynasties. At the same time, the institutionalization of the five rites also had a great impact on the music appearance of advocating music and the music model.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2
【引证文献】
相关期刊论文 前2条
1 张川;;“横吹曲”之研究探微[J];湖北第二师范学院学报;2008年03期
2 项阳;;中国礼乐制度四阶段论纲[J];音乐艺术(上海音乐学院学报);2010年01期
相关博士学位论文 前1条
1 柏互玖;大曲的演化[D];中国艺术研究院;2012年
相关硕士学位论文 前2条
1 郭云星;笳与中古诗歌[D];河北师范大学;2010年
2 胡倩;论唐代鼓吹乐的兴盛[D];温州大学;2013年
，本文编号：2394205
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