拉莫的和声实践与音乐风格的嬗变
发布时间：2019-01-17 12:35
【摘要】：拉莫是巴洛克时期重要的音乐家,他已经在纯理论与实践两条线索的发展中都占有一席之地。他的《和声学基本原理》已使他获得了一个音乐科学家的声望。他所处的时期是巴洛克时期,这一时期前承文艺复兴时期,后接古典主义时期,是连接两个重要的音乐发展时期的纽带,拉莫的和声研究,有利于我们对这几个时期的音乐创作的深入了解。 本文首先对拉莫之前的和声理论进行了梳理,结合拉莫所处的时代分析了拉莫时代的艺术思潮,并且详细论述了拉莫的和声理论的主要内容以及拉莫音乐创作中的和声运用运用,并结合作品进行分析,最后对拉莫所处时代的风格的变迁进行了论述。拉莫在和声领域的作用是功不可没的,对他的和声研究有利于我们进一步的学习。
[Abstract]:Lamo was an important musician in Baroque, he had a place in the development of pure theory and practice. His basic principles of Harmony have earned him the reputation of a music scientist. He lived in the Baroque period, which followed the Renaissance period, followed by the classicism period, was the link between the two important periods of music development, Ramo's research on harmony, It is helpful for us to have a deep understanding of the music creation in these periods. In this paper, the author firstly combs the previous harmony theory of Lamo, and analyzes the artistic trend of Lamo's time combined with the era in which Ramo lived. The main content of Lamo's harmony theory and the use of harmony in Lamo's music creation are discussed in detail, and his works are analyzed. Finally, the style changes of Lamo's era are discussed. Ramo's role in the field of harmony is indispensable, and his research on harmony is conducive to our further study.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614.1
本文编号：2410069
[Abstract]:Lamo was an important musician in Baroque, he had a place in the development of pure theory and practice. His basic principles of Harmony have earned him the reputation of a music scientist. He lived in the Baroque period, which followed the Renaissance period, followed by the classicism period, was the link between the two important periods of music development, Ramo's research on harmony, It is helpful for us to have a deep understanding of the music creation in these periods. In this paper, the author firstly combs the previous harmony theory of Lamo, and analyzes the artistic trend of Lamo's time combined with the era in which Ramo lived. The main content of Lamo's harmony theory and the use of harmony in Lamo's music creation are discussed in detail, and his works are analyzed. Finally, the style changes of Lamo's era are discussed. Ramo's role in the field of harmony is indispensable, and his research on harmony is conducive to our further study.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614.1
【参考文献】
相关期刊论文 前2条
1 姚红卫;;拉莫和声理论产生背景与启示[J];交响(西安音乐学院学报);2012年02期
2 李冰;;论法国作曲家拉莫的歌剧创作[J];沈阳师范大学学报(社会科学版);2010年01期
，本文编号：2410069
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