明清中乐西传欧洲的初步研究
发布时间:2019-01-26 20:26
【摘要】:明清中乐西传欧洲是这一时期中西音乐交流史中一个重要组成部分。在五百四十三年的明清社会中,中乐西传欧洲经历了明末时期的初曙,清代前、中期的繁盛,清代后期的持续发展三个历史时期,由于时代背景等因素,鸦片战争之前中乐西传欧洲是在相对平等的中西关系中进行的,鸦片战争之后,中西关系发生了变化,中乐西传欧洲在不平等的中西关系中呈现又一发展状态,因此,在整个明清中乐西传欧洲的过程中,三个历史时期呈现出各自不同的鲜明特征。明清中乐西传欧洲的成果丰硕,内容丰富。歌曲、器乐、戏曲、舞蹈等在欧洲都得到不同程度的传播,有些还结合欧洲当地的艺术人文形成了适合他们口味的音乐形式,,充实了这一时期中乐西传欧洲的内容。明清中国音乐在欧洲的传播,给这一时期的欧洲音乐注入了新的活力,同时也受到欧洲音乐潜移默化的影响,中国音乐和欧洲音乐在这一时期都出现了中西音乐结合的新的音乐形式。它们是中西音乐交流中的产物,是中西音乐相互影响的历史见证。本文主要以明清欧人对中国音乐的记录为资料,对中国音乐在欧洲的传播发展情况进行研究,呈现其传播的真实面貌,挖掘其发生传播的文化、社会、历史等全方面的根源。
[Abstract]:In the Ming and Qing dynasties, Chinese music spread to the west was an important part of the history of Chinese and Western music communication during this period. In the Ming and Qing society of 543, China and the West spread Europe through three historical periods, namely, the beginning of the Ming Dynasty, the prosperity of the pre-Qing Dynasty and the middle period, and the sustained development of the late Qing Dynasty, due to the background of the times, and so on. Before the Opium War, Sino-Western transmission of Europe was carried out in a relatively equal relationship between China and the West. After the Opium War, Sino-Western relations changed, and Sino-Lee-West transmission Europe took on another state of development in the unequal relationship between China and the West. In the whole Ming and Qing dynasties, the three historical periods showed their distinct characteristics in the process of spreading music to the west. In Ming and Qing dynasties, the spread of music to the west of Europe was fruitful and rich in content. Songs, instrumental music, operas, dances and so on have been spread in Europe to varying degrees, and some have combined with the local art and humanities in Europe to form music forms suitable for their taste, enriching the content of Chinese music spreading to the west in this period. The spread of Chinese music in Europe in the Ming and Qing dynasties injected new vitality into the European music of this period, and was also influenced by the subtle influence of European music. In this period, Chinese music and European music both appeared new forms of music combining Chinese and western music. They are the products of Chinese and Western music exchange and the historical witness of the mutual influence of Chinese and western music. Based on the records of Chinese music from European people in Ming and Qing dynasties, this paper studies the communication and development of Chinese music in Europe, presents the true appearance of Chinese music communication, and excavates the root of the culture, society, history and so on.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J609.1
本文编号:2415877
[Abstract]:In the Ming and Qing dynasties, Chinese music spread to the west was an important part of the history of Chinese and Western music communication during this period. In the Ming and Qing society of 543, China and the West spread Europe through three historical periods, namely, the beginning of the Ming Dynasty, the prosperity of the pre-Qing Dynasty and the middle period, and the sustained development of the late Qing Dynasty, due to the background of the times, and so on. Before the Opium War, Sino-Western transmission of Europe was carried out in a relatively equal relationship between China and the West. After the Opium War, Sino-Western relations changed, and Sino-Lee-West transmission Europe took on another state of development in the unequal relationship between China and the West. In the whole Ming and Qing dynasties, the three historical periods showed their distinct characteristics in the process of spreading music to the west. In Ming and Qing dynasties, the spread of music to the west of Europe was fruitful and rich in content. Songs, instrumental music, operas, dances and so on have been spread in Europe to varying degrees, and some have combined with the local art and humanities in Europe to form music forms suitable for their taste, enriching the content of Chinese music spreading to the west in this period. The spread of Chinese music in Europe in the Ming and Qing dynasties injected new vitality into the European music of this period, and was also influenced by the subtle influence of European music. In this period, Chinese music and European music both appeared new forms of music combining Chinese and western music. They are the products of Chinese and Western music exchange and the historical witness of the mutual influence of Chinese and western music. Based on the records of Chinese music from European people in Ming and Qing dynasties, this paper studies the communication and development of Chinese music in Europe, presents the true appearance of Chinese music communication, and excavates the root of the culture, society, history and so on.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J609.1
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