二胡与坠琴比较研究

发布时间：2019-02-17 11:36

【摘要】：二胡是在中国民族拉弦乐器家族中的代表性乐器。通过无数前辈的努力,二胡已在演奏、理论、教学、革新等方面都有较为全面的开拓和发展,成为中国乃至世界音乐舞台上的民族拉弦乐器中的一枝独秀,并成为中国民族管弦乐队的重要声部。坠琴是山东琴书、山东吕剧等民间曲艺、地方戏曲表演形式中的具有代表性的、主要承担伴奏的一种拉弦乐器,在中原地区百姓的文化生活中占有重要的一席之地。在非物质文化遗产山东琴书中,坠琴与扬琴并肩成为不可或缺的重要伴奏乐器,它的音色独特,适合表现诙谐、爽朗的音乐性格,非常擅长表现声腔及人与动物的声音,具有鲜明的风格特色。而坠琴作为被列入中国非物质文化遗产——山东琴书的主要伴奏乐器,其地位及传承价值则显得尤为重要。然而,目前坠琴理论领域的研究较为欠缺,文论成果较为匮乏,二胡与坠琴的比较研究领域尚为空缺。本文将运用文献法、调研法、比较法等研究方法,针对二胡、坠琴的历史沿革、演奏技法、音乐风格及它们的相互借鉴与融合等方面进行较为系统的比较研究,以弥补坠琴艺术的理论研究缺憾,使其得以更好地传承发展；并以二胡、坠琴的比较研究为基础,结合两者的发展现状,找到两者不同的艺术特色及它们的相互借鉴与融合,并通过二胡与坠琴艺术的可融合与借鉴性,探索研究二胡与坠琴的进一步发展的新的途径与启示。
[Abstract]:Erhu is a representative musical instrument in the family of Chinese national string instruments. Through the efforts of countless predecessors, Erhu has been playing, theoretical, teaching, and innovating in a more comprehensive way, and has become the only one of the national string instruments on the Chinese and even the world music stage. And become an important part of the Chinese national orchestra. Fangqin is a kind of string instrument in Shandong Qin Book, Shandong Lu Opera and other folk music, which is representative of the local opera performance form, and plays an important role in the cultural life of the people in the Central Plains. In the intangible cultural heritage of Shandong Qin books, the pendant piano and the yangqin become an indispensable and important accompaniment instrument. They have unique timbre, are suitable for the expression of witty, refreshing musical character, and are very good at expressing the voice and the sounds of human beings and animals. With distinctive style and characteristics. As the main accompaniment instrument of Shandong Qin book, which is listed as the intangible cultural heritage of China, its status and inheritance value are particularly important. However, at present, there is a lack of theoretical research in the field of Fangqin, a lack of literary achievements, and a lack of comparative study of Erhu and Fangqin. This article will use the literature method, the investigation method, the comparative method and so on research method, will carry on the more systematic comparative research to the erhu, the falling piano historical evolution, the performance technique, the music style and their mutual reference and the fusion and so on aspects. In order to make up for the lack of theoretical research on the art of piano fall, so that it can be a better inheritance and development; Based on the comparative study of Erhu and Fangqin, and combining with the present situation of their development, the author finds out their different artistic characteristics and their mutual reference and fusion, and through the erhu and Fangqin art can be integrated and used for reference. Explore the further development of erhu and Fangqin new ways and inspiration.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J632

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