尚德义三首划时代艺术歌曲演唱特征探析
发布时间：2019-04-02 16:25
【摘要】：一直以来，尚德义先生的花腔艺术歌曲在声乐教学领域、各类声乐比赛、各类音乐会中频频演唱；许多硕士研究生把尚德义艺术歌曲作为硕士论文，从各个层面进行过研究。在不同的环节对尚先生有不同的称谓，如“我国著名的作曲家”、“音乐教育家”、“中国花腔艺术歌曲的开拓者”等等，在这些称谓下的应该是尚先生大量的作品内容。尚先生的花腔艺术歌曲首先体现的是浓郁的民族风格，其次朴实的创作手法和独到的创新理念，“充满着强烈的艺术魅力和极高的审美价值”。①这种艺术歌曲的探索和实践表现在歌词内涵、旋律的歌唱性、技法的传统性与创新性的结合、钢琴伴奏的精心设计等方面，不仅推动了创作与演唱上的专业水准,而且提高了声乐演唱与教学的艺术价值。 本文将对尚德义先生在“文革”时期创作的《千年的铁树开了花》（下称《千》）、20世纪七十年代创作的《科学的春天来到了》（下称《科》）以及改革开放后创作的《七月的草原》（下称《七》）三首花腔女高音歌曲，从演唱技巧、行腔特征、音乐意境、人声与钢琴的完美结合等方面进行探讨。
[Abstract]:In the field of vocal music teaching, all kinds of vocal music competitions and various kinds of concerts, many graduate students have studied the art songs of Shang Tak Yi as master's thesis in the field of vocal music teaching, all kinds of vocal music competitions and various kinds of concerts, and many graduate students have carried on the research from various levels. There are different titles for Mr. Shang in different links, such as "famous composers of our country", "music educationists", "pioneers of Chinese flowery art songs", and so on. Under these appellations, there should be a lot of works by Mr. Shang. Mr. Shang's floral art songs first embody a rich national style, followed by simple creative techniques and original innovative ideas. "full of strong artistic charm and extremely high aesthetic value," 1 the exploration and practice of this kind of artistic songs are manifested in the connotation of lyrics, the singing of melodies, the combination of traditional and innovative techniques, the careful design of piano accompaniment, and so on. It not only promotes the professional level of creation and singing, but also improves the artistic value of vocal music singing and teaching. In this paper, Mr. Shang Tak-Yi's "Millennium Iron Tree blossoms" (hereinafter referred to as "Thousand"), which was created by Mr. Shang Tak-Yi during the Cultural Revolution, In the 1970s, three floral soprano songs, "the Spring of Science came" (hereinafter referred to as "Section") and "the grassland of July" (hereinafter "Seven") created after the reform and opening up, were composed in terms of singing skills, the characteristics of the line cavity, and the artistic conception of the music. The perfect combination of human voice and piano is discussed.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J616.2
本文编号：2452709
[Abstract]:In the field of vocal music teaching, all kinds of vocal music competitions and various kinds of concerts, many graduate students have studied the art songs of Shang Tak Yi as master's thesis in the field of vocal music teaching, all kinds of vocal music competitions and various kinds of concerts, and many graduate students have carried on the research from various levels. There are different titles for Mr. Shang in different links, such as "famous composers of our country", "music educationists", "pioneers of Chinese flowery art songs", and so on. Under these appellations, there should be a lot of works by Mr. Shang. Mr. Shang's floral art songs first embody a rich national style, followed by simple creative techniques and original innovative ideas. "full of strong artistic charm and extremely high aesthetic value," 1 the exploration and practice of this kind of artistic songs are manifested in the connotation of lyrics, the singing of melodies, the combination of traditional and innovative techniques, the careful design of piano accompaniment, and so on. It not only promotes the professional level of creation and singing, but also improves the artistic value of vocal music singing and teaching. In this paper, Mr. Shang Tak-Yi's "Millennium Iron Tree blossoms" (hereinafter referred to as "Thousand"), which was created by Mr. Shang Tak-Yi during the Cultural Revolution, In the 1970s, three floral soprano songs, "the Spring of Science came" (hereinafter referred to as "Section") and "the grassland of July" (hereinafter "Seven") created after the reform and opening up, were composed in terms of singing skills, the characteristics of the line cavity, and the artistic conception of the music. The perfect combination of human voice and piano is discussed.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J616.2
【参考文献】
相关期刊论文 前7条
1 韩梅;;浅论中国民族声乐艺术在科学性和民族性上的美学追求[J];河南大学学报(社会科学版);2006年01期
2 冯伯阳;中国花腔艺术的开拓者——尚德义教授及其花腔歌曲[J];艺圃(吉林艺术学院学报);1993年01期
3 石惟正;论中西传统声乐的优势契合——关于寻求中国当代声乐优势的思考[J];音乐研究;2005年02期
4 李曙明;大漠诗魂 中华乐象——写在合唱《大漠之夜》获“金钟奖”之前后[J];人民音乐;2001年10期
5 黄腾鹏;尚德义在当代艺术歌曲创作中的成就与贡献[J];人民音乐;2003年03期
6 方露娜;;高屋建瓴的声乐艺术——谈花腔技巧的艺术特色及训练[J];艺术教育;2006年12期
7 康爱琪;摒弃浮华 回归纯朴——尚德义教授作品音乐会、学术研讨会述评与思考[J];中国音乐;2003年01期
，本文编号：2452709
本文链接：https://www.wllwen.com/wenyilunwen/qiyueyz/2452709.html
