大型交响合唱音诗《神话中国》合唱的表现特点

发布时间：2019-04-04 11:50

【摘要】：本文主要介绍了《神话中国》的合唱的表现特点。全文分为五个部分。第一章为绪论,一共分为三节内容。第一节是研究缘起。这一节里面主要是介绍了《神话中国》的诞生以及为何要写关于《神话中国》的合唱表现的动机。《神话中国》是2012年我国诞生的一部大型的交响合唱,从文化的高度、民族的特色以及极大的规模以及影响力来说是空前绝后的。第二节是研究意义。其中研究意义是大型交响合唱音诗《神话中国》的诞生,是一个重大的文化事件,它的两次展演在中国的音乐舞台上树立起一个新的标尺,因为我们欣喜的看到了cantata(康塔塔)“中国式”民族化以后所呈现出的形态和面貌,从它创作特点以及美学的角度来分析这样一个作品能更好的让专业及业余合唱团队认识其艺术价值,让这一经典的作品在中国普及与流传。第三节是文献回顾。其实关于《神话中国》的音乐层面研究论文以及书籍还未出现过,这一节主要是从合唱作品以及合唱的理论研究来进行文献资料的整理。第二章是《神话中国》的概述,分为两节。第一节是《神话中国》的创作背景,本节将中国合唱创作脉络进行了梳理,将每个年代具有代表性的合唱作品列出来,在21世纪,中国合唱发展呈现多元化趋势,但是却始终缺少一部大型的具有中国特色,又有一定文化高度的合唱作品,而《神话中国》的出现将填补这一空缺。第二节是《神话中国》的创作过程,词作家郑集思以及曲作家甘霖如何将《神话中国》共同创作进行了细致的描写。第三章是《神话中国》中合唱表现的音乐特点。这一章主要是从音乐分析的角度进行研究。第一节是《神话中国》中的交响性与民族性。交响乐的形式是最容易被世界所接受的音乐形式。《神话中国》将交响性运用到合唱作品之间,将交响乐团与合唱团进行了很好的结合运用,交响乐团在这里有独奏的乐段,也有伴奏与烘托合唱团的作用,其中,作曲家运用了很多现代的写作技巧,将这一作品很好的现代化。《神话中国》机具交响性的同时,又是“亲切的”。这里的亲切指的是在这一作品中,又运用了大量的中华民族的特色,将中国传统文化与音乐进行了很好的结合。具有浓厚的民族性。第二节是《神话中国》中合唱表现形式的多元化。多元化是当今中国合唱发展的一个重要的特征,也是世界音乐发展的一个总体的趋势。从合唱的声音观念、合唱团的规模、交响乐团与民乐团的融合等等各方面都体现出《神话中国》合唱表现形式的多元化特征。第三节是《神话中国》与中国大型合唱作品的异同。这一节里面,主要是讲《神话中国》与中国经典的大型合唱《黄河大合唱》进行对比分析,从四个方面：作品内容、创作背景、人物形象、音乐结构进行音乐本体的研究分析,将两个作品的异同进行了详细的总结。第四节是以《神话中国》来看中国合唱艺术的特点。在这一节里,主要是以《神话中国》为例对中国合唱艺术发展的特点进行了总结。第四章是《神话中国》的审美特点。从美学的角度对《神话中国》进行分析研究。第一节是《神话中国》的差异性和同一性。差异性是一个好的音乐作品必须具备的特征。而同一性又是音乐作品中不可缺失的。差异性和同一性有效地融合才使得《神话中国》更加的完美。第二节是《神话中国》的音乐品格。中国以往的合唱作品大都具有“激昂”的音乐品格。《神话中国》在具有这种音乐品格的同时还具有“崇高”。所以这是一个具有一定文化高度的好的音乐作品。第三节是《神话中国》文学脉络的审美特征。这一节主要是介绍了《神话中国》中7个神话故事的文学审美逻辑脉络。重点分析了其中七个故事的传说原型、人物性格和故事的文学出处,将这些文学脉络用逻辑思维的方式联系与分析。最后是结语部分对《神话中国》进行了总结。
[Abstract]:This paper mainly introduces the performance characteristics of the chorus of the myth of China>. The full text is divided into five parts. The first chapter is the introduction, which is divided into three sections A. The first section is the study edge. From this section, this section mainly introduces the birth of the and the reason why the chorus of the is to be written machine. is a large-scale chorus of the birth of China in 2012, from the height of culture, the characteristics of the nation and the great scale and influence II. The second section is the study The significance of the study is the birth of the large-scale chorus sound poem, which is a major cultural event, and its two performances set up a new bid on the music stage in China The ruler, because we are pleased to see the shape and appearance of the Kanata (Kangata) "Chinese style", and analyze such a work from the point of its creation and the angle of aesthetics, so that the professional and amateur choirs will be better recognized by the professional and amateur choirs. Value, let this classic work spread and flow in China Pass. Section III is a document. In fact, the research paper on the music level of the "Myth China>" and the book have not yet appeared, this section is mainly from the chorus works and the theoretical study of the chorus to carry on the documentation. The second chapter is the summary of the "Myth of Myth China>," For the two sections, the first section is the background of the creation of the "Myth China>". This section is to sort out the Chinese chorus writing. This section will show the representative chorus works in each time. In the 21st century, the Chinese chorus develops a diversified trend, but there is always a lack of a large one. The characteristics of the State and the chorus works of a certain cultural height, and the appearance of the will be filled. A vacancy. The second section is the process of the creation of the "Myth China>", and the word writer, Zheng Ji, and the yeast writer, Gan Lin, how to make the "Myth China> Co-creation" in detail. The third chapter is the expression of the chorus in the myth of China> The main part of this chapter is the angle of music analysis. The first section is the "myth of China>" The form of a symphony is most easily accepted by the world In the form of music. The use of the symphony to the chorus is a good combination of the symphony and the chorus, and the symphony orchestra has a solo piece of music. It also has the role of accompaniment and toasting. The composer has used a lot of modern music. The writing technique, which makes this work very important Good modern. / Chunk>. The kindness here means that in this work, the Chinese traditional culture and music have been carried out with a great deal of Chinese characteristics. It's a good combination. It's rich. the nationality of the thickness. The second section is the expression of the chorus in the myth of China> The diversification of the style is one of the important features of the Chinese chorus development, and it is also one of the world's music development The overall trend. From the chorus's voice concept, the chorus's scale, the orchestra's integration with the people's band, and so on, it's all reflected in the myth China> Chorus form. Multi-feature. Section III is China's Large Chorus The similarities and differences of the works are mainly the comparison and analysis of the "Mythical China> and the Chinese classical large-scale chorus The characteristics of art, in this section, are mainly the characteristics of the development of Chinese chorus art in the "Myth of Myth China" as an example. A summary is made. Chapter IV is from the Angle of the Aesthetics to the Make an analysis study. Section 1 is Difference and identity. The difference is a good musical composition The identity must have. And the identity is music. It is not missing in a product. The difference and the identity are effectively fused to make it less than the myth State> More perfect. Section II is " Cang ". ". So this is a cultural height A good musical composition. Section III is the Literature The main part of this section is to introduce the text of the seven fairy tales in the "Myth of Myth China>" The article mainly analyzes the legends, characters and the literary origin of the seven stories, and the logical thinking of the literature. The way to contact and analyze. In the end, the epilogue is for the <-God.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J616.2

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