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柏辽兹声乐套曲《夏夜》钢琴声部的演奏研究

发布时间:2019-05-08 23:41
【摘要】:柏辽兹是法国浪漫主义作曲家的先锋,他的作品在当时的法国并不被理解,但经过时间的考验,其艺术价值逐渐显现并被认可。柏辽兹声乐作品中声乐套曲《夏夜》最具影响力,但国内、外对其研究较少。这部作品同样体现了其交响乐作品中的特质,以文学为创作依据、抒情的旋律、丰富的乐队语言、交响化的思维方式、不同的和声色彩,柏辽兹通过大型体裁宣泄情感的同时,并没有忽略小型体裁的创作,艺术歌曲展现了他创作的另一面。 本文以声乐套曲《夏夜》为研究对象,通过了解创作背景、深入分析六首歌曲的文本及钢琴声部材料和演奏,为钢琴演奏者提供理论和实践的引导。论文由绪论、正文和结语三个部分构成。绪论以选题意义、研究现状、研究方法和重点进行论述。正文划分为三章,第一章对声乐套曲《夏夜》相关背景的进行阐述,包括柏辽兹生平、爱情、法国艺术歌曲的起源及柏辽兹的艺术歌曲创作。第二章对文本进行细致、深入的分析,笔者认为声乐作品的文本包括歌词与伴奏两个部分,第一节对六首诗歌的词义进行了字对字的分析和翻译,修辞手法、思想内涵进行了阐述。第二节对音乐文本的意境、旋律、曲式、和声、律动五个方面进行分析并总结。第三章对钢琴声部进行分析,是本文的主体。第一节第一部分主要论述钢琴声部材料在每首作品整体运用的情况,使读者和演奏、演唱者对钢琴声部形成宏观的认识。第二部分笔者对常用织体进行概括并阐述演奏的体验。第二节对每首作品与演唱者配合的细节进行论述。
[Abstract]:Berlioz was a pioneer of French romantic composers. His works were not understood in France at that time, but after the test of time, its artistic value gradually appeared and was recognized. In Berlioz's vocal music works, the vocal music suite is the most influential, but there is little research on it at home and abroad. The work also embodies the characteristics of his symphony works, based on literature, lyrical melodies, rich orchestra language, symphonic ways of thinking, different harmony colors, and Berlioz's emotional catharsis through large genres. He did not ignore the creation of small genres, art songs show the other side of his creation. In this paper, the vocal music suite Summer Night is taken as the research object, and the text of six songs and the materials and performances of piano sound are deeply analyzed by understanding the creative background, so as to provide theoretical and practical guidance for pianists. The thesis consists of three parts: introduction, text and conclusion. The introduction discusses the significance of the topic, the status quo of the research, the research methods and the key points. The main body is divided into three chapters. The first chapter expounds the related background of vocal music suite Summer Night, including Berlioz's life, love, the origin of French art songs and Berlioz's artistic song creation. The second chapter makes a detailed and in-depth analysis of the text, the author believes that the text of vocal music works includes lyrics and accompaniment two parts, the first section of the six poetry word-to-word analysis and translation, rhetorical devices, The connotation of thought is expounded. The second section analyzes and summarizes the artistic conception, melody, harmony and rhythm of music text. The third chapter carries on the analysis to the piano sound part, is the main body of this article. The first part of the first section mainly discusses the overall application of piano sound materials in each work, so that readers and performers form a macro understanding of the piano sound. In the second part, the author generalizes the commonly used fabric and expounds the experience of playing. The second section discusses the details of the cooperation between each work and the singer.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J624.1

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