明代南京青楼音乐文化初探
发布时间：2019-06-05 18:10
【摘要】：“青楼”是中国历史的特殊文化现象。青楼文化在滋生肮脏与罪恶的同时，为这一特殊的文化土壤培养了大量技艺超群的名妓，她们作为有别于宫廷、职业乐班中的音乐表演者，成为传播音乐文化的中坚力量。明代是城市俗乐的繁盛时期，昆曲、时调小曲、传奇剧等多种音乐体裁都是以青楼艺人为引领，步入巅峰状态的。 本文选取明代南京青楼音乐文化作为研究对象，从历史学、音乐学、社会学和传播学的视角对这一历史现象进行描述和研究，，旨在通过研读明代文史资料、地方志、戏曲资料等的基础上，全方位展现明代南京青楼音乐文化的面貌，阐明青楼女艺人在明代音乐历史的重要作用。明代青楼女艺人作为一个演绎音乐的重要群体，她们具有音乐受益者与传播者的双重身份，对明代音乐发展作出了巨大贡献。本文从人文关怀的角度出发，以明代青楼女子对中国音乐文化的贡献说明学界应该所重视青楼音乐文化的研究。
[Abstract]:Qinglou is a special cultural phenomenon in Chinese history. Qinglou culture not only breeds filth and sin, but also trains a large number of skilled and famous prostitutes for this special cultural soil. As music performers who are different from the court and professional music class, they have become the backbone of the dissemination of music culture. Ming Dynasty is the prosperous period of urban folk music, Kunqu Opera, tune Xiaoqu, legendary drama and other music genres are led by Qinglou artists and entered the peak state. This paper selects the music culture of Nanjing Qinglou in Ming Dynasty as the research object, describes and studies this historical phenomenon from the perspective of history, musicology, sociology and communication, in order to study the literary and historical materials and local chronicles of Ming Dynasty. On the basis of opera materials, this paper shows the appearance of Nanjing Qinglou music culture in Ming Dynasty in an all-round way, and expounds the important role of Qinglou female artists in the music history of Ming Dynasty. As an important group of performing music, female artists in Qinglou in Ming Dynasty have the dual status of music beneficiaries and communicators, and have made great contributions to the development of music in Ming Dynasty. From the point of view of humanistic care, this paper explains that scholars should attach importance to the study of Qinglou music culture with the contribution of Qinglou women to Chinese music culture in Ming Dynasty.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2
本文编号：2493728
[Abstract]:Qinglou is a special cultural phenomenon in Chinese history. Qinglou culture not only breeds filth and sin, but also trains a large number of skilled and famous prostitutes for this special cultural soil. As music performers who are different from the court and professional music class, they have become the backbone of the dissemination of music culture. Ming Dynasty is the prosperous period of urban folk music, Kunqu Opera, tune Xiaoqu, legendary drama and other music genres are led by Qinglou artists and entered the peak state. This paper selects the music culture of Nanjing Qinglou in Ming Dynasty as the research object, describes and studies this historical phenomenon from the perspective of history, musicology, sociology and communication, in order to study the literary and historical materials and local chronicles of Ming Dynasty. On the basis of opera materials, this paper shows the appearance of Nanjing Qinglou music culture in Ming Dynasty in an all-round way, and expounds the important role of Qinglou female artists in the music history of Ming Dynasty. As an important group of performing music, female artists in Qinglou in Ming Dynasty have the dual status of music beneficiaries and communicators, and have made great contributions to the development of music in Ming Dynasty. From the point of view of humanistic care, this paper explains that scholars should attach importance to the study of Qinglou music culture with the contribution of Qinglou women to Chinese music culture in Ming Dynasty.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2
【引证文献】
相关博士学位论文 前2条
1 张英;明代南京剧坛研究[D];南京师范大学;2008年
2 板俊荣;民族音乐学多位网视野下的海州五大宫调[D];南京艺术学院;2012年
相关硕士学位论文 前2条
1 陈仕国;元代青楼戏剧研究[D];福建师范大学;2012年
2 陈晓雪;论明代歌妓与民歌传承的关系[D];华中师范大学;2013年
本文编号：2493728
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