中国当代颂歌的文化形态（1949-1979）
发布时间：2019-06-08 13:38
【摘要】：音乐领域的“颂歌”指的是歌颂功德、赞扬伟业的乐曲。“颂”早在中国的古代社会就已经备受重视,它包含了一种不可亵渎、让人肃然起敬的心理暗示。在当代中国的30年里,大量的歌曲歌颂了上至领袖、下至百姓,大至方针政策、小至日常生活的各种事物。从意识形态的角度来说,当代颂歌兼具了“神性”和“人性”的内涵;从音乐发展的角度来看,它打破了正乐与民歌的界限,“经典”在全国范围内迅速“流行”起来;从文化发展的角度来说,数量如此庞大的颂歌,其“颂”的意义却惊人地相似和单一,这种现象蕴涵着丰富的时代文化内涵,也有着不可忽视的影响。本文将以1949年至1979年在中国出现、传唱的颂歌作为研究对象,立足于文化与艺术的双重基点,借助历史学、符号学、艺术理论、传播学、心理学等等理论,通过对当代颂歌的历史、精神、艺术、传播等四种形态的分析和研究,试图挖掘出颂歌所包含的精神要义,既而透视在特定历史语境下社会的文化内涵、价值观念等的形成过程。
[Abstract]:The eulogy in the field of music refers to the music that eulogizes meritocracy and praises great deeds. Eulogy has been valued as early as ancient Chinese society, which contains a kind of unblasphemous and respectable psychological hint. In the 30 years of contemporary China, a large number of songs eulogize all kinds of things from leaders to people, to principles and policies, to daily life. From the ideological point of view, contemporary carols have the connotation of both "divinity" and "human nature", from the point of view of music development, it breaks the boundary between positive music and folk songs, and "classics" are rapidly "popular" in the whole country. From the point of view of cultural development, the significance of "eulogy" of such a large number of carols is surprisingly similar and single, which contains rich cultural connotation of the times and can not be ignored. This paper will take the carols that appeared in China from 1949 to 1979 as the research object, based on the double basic points of culture and art, with the help of history, semiotics, art theory, communication, psychology and so on. Through the analysis and research of the history, spirit, art and communication of contemporary carols, this paper tries to excavate the spiritual essentials contained in carols, and not only perspective the cultural connotation of society in a specific historical context. The formation process of values, etc.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J609.2
本文编号：2495322
[Abstract]:The eulogy in the field of music refers to the music that eulogizes meritocracy and praises great deeds. Eulogy has been valued as early as ancient Chinese society, which contains a kind of unblasphemous and respectable psychological hint. In the 30 years of contemporary China, a large number of songs eulogize all kinds of things from leaders to people, to principles and policies, to daily life. From the ideological point of view, contemporary carols have the connotation of both "divinity" and "human nature", from the point of view of music development, it breaks the boundary between positive music and folk songs, and "classics" are rapidly "popular" in the whole country. From the point of view of cultural development, the significance of "eulogy" of such a large number of carols is surprisingly similar and single, which contains rich cultural connotation of the times and can not be ignored. This paper will take the carols that appeared in China from 1949 to 1979 as the research object, based on the double basic points of culture and art, with the help of history, semiotics, art theory, communication, psychology and so on. Through the analysis and research of the history, spirit, art and communication of contemporary carols, this paper tries to excavate the spiritual essentials contained in carols, and not only perspective the cultural connotation of society in a specific historical context. The formation process of values, etc.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J609.2
【引证文献】
相关博士学位论文 前1条
1 胡吉星;作为文体的颂赞与中国美颂传统的形成[D];暨南大学;2009年
相关硕士学位论文 前2条
1 潘立敏;中国现代“颂”诗形态考察[D];广西师范大学;2011年
2 金磊鑫;蒙古族风格歌曲的创作与演唱[D];南京艺术学院;2010年
，本文编号：2495322
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